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Thế Giới Của Phát Xít (Phần 3)

The Man in the High Castle (Season 3)

7.9 | 59 phút/tập • 2018 • Viễn Tưởng • Khoa Học

Nội dung

Sau khi đưa cuộn phim cho Joe, Juliana buộc phải chạy trốn khỏi sự giận dữ của lực lượng Kháng chiến trong khi bắt đầu một con đường mới để cứu quê hương khỏi bị phá hủy. Joe đối mặt với người cha vắng mặt của mình ở Berlin, người không như vẻ bề ngoài. Smith vật lộn với việc phải làm gì với đứa con trai ốm yếu của mình. Frank đánh cược mạng sống của mình để cứu Ed. Cuộc sống của Tagomi bị đảo lộn bởi chuyến "du hành" đến một thế giới khác.

#based on novel or book#resistance#nazi#dystopia#alternate history#post world war ii#alternative reality#antagonistic

Thông tin sản xuất

January 15, 2015

Ngày phát hành

Truy cập website

Website chính thức

🇬🇧

United Kingdom

Region (GB)

🇺🇸

United States of America

Region (US)

Amazon Studios

Amazon Studios

US

Electric Shepherd Productions

Electric Shepherd Productions

US

Headline Pictures

Headline Pictures

GB

Picrow

Picrow

US

Scott Free Productions

Scott Free Productions

US

Đạo diễn

cast.name

Ridley Scott

Female

Diễn viên

cast.name

Alexa Davalos

Juliana Crain

cast.name

Rufus Sewell

John Smith

cast.name

Joel de la Fuente

Inspector Kido

cast.name

Jason O'Mara

Wyatt Price

cast.name

Brennan Brown

Robert Childan

cast.name

Cary-Hiroyuki Tagawa

Nobusuke Tagomi

cast.name

Chelah Horsdal

Helen Smith

cast.name

DJ Qualls

Ed McCarthy

cast.name

Rupert Evans

Frank Frink

cast.name

Luke Kleintank

Joe Blake

cast.name

Michael Gaston

Mark Sampson

cast.name

Bella Heathcote

Nicole Dörmer

Tập phim Hoàn tất (10/10)

episode

1. Now More Than Ever, We Care About You

Juliana Crain makes a new acquaintance in the Neutral Zone - an Irish fixer named Wyatt - and soon finds herself on the run and seeking Tagomi's aid. The Japanese test an atomic bomb. Joe Blake is sent on a diplomatic mission to San Francisco. Kido hires a new sergeant. Nicole Dormer arrives in New York to head a new propaganda campaign. The Smiths struggle with the aftermath of Thomas' death.

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episode

2. Imagine Manchuria

Juliana recognizes that her and Tagomi's fates are intertwined. Tagomi and Admiral Inokuchi realize the Reich is imposing a covert oil embargo on the Pacific States. Reichsmarschall Rockwell and J. Edgar Hoover plot against John Smith. Helen starts therapy to cope with her grief over Thomas, and takes drastic action to protect her family. Kido and Tagomi clash over Juliana.

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episode

3. Sensô Kôi

Juliana and Tagomi pursue the mysteries of the films and Juliana reunites with an old friend. Childan is anxious to return to San Francisco now that the reprisals have stopped, but a potential new romance makes Ed reluctant to leave. Kido receives intelligence that sets him on a new path. Smith finds himself celebrated by Nazi high society at a screening of Nicole's new film about Thomas.

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episode

4. Sabra

A new community fights for survival in the Neutral Zone. Juliana and Joe get reacquainted, while Joe continues his undercover work for Himmler. Wyatt drops in on Juliana in San Francisco. Smith's past rises up to haunt him. Ed and Childan face a challenge on their way home to San Francisco. As tensions between the Reich and the Empire rise, Tagomi finds his life may be in danger.

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episode

5. The New Colossus

As the Reichsführer continues to provoke the Japanese Pacific States, Juliana barely escapes a deadly situation and discovers a trove of Nazi secrets. John Smith tangles with his political adversary. The Nazis prepare for "Year Zero." Joe and Juliana come to a turning point in their relationship.

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episode

6. History Ends

With Wyatt's aid, Juliana flees San Francisco with the stolen Nazi secrets. Childan can finally return home; Ed decides to stay in the Neutral Zone. Tagomi makes revelations to Kido that change Kido's perspective. John Smith's career takes a turn.

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episode

7. Excess Animus

Juliana embarks on a mission to stop the Nazis - a mission that reunites her with old friends. Thelma and Nicole grow closer, despite the risks. Smith learns more about the Nazis' efforts into alt-world travel. Kido demands Tagomi come clean about the films and his ability to travel. Kido coaxes crucial intelligence from Childan.

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episode

8. Kasumi (Through the Mists)

Juliana realizes time might be running out, but recruiting supporters continues to prove challenging. Tagomi finds himself in a dangerous life-or-death struggle. In therapy, Helen Smith crosses a line. Kido pursues his target in the Neutral Zone.

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episode

9. Baku

Juliana and Wyatt's mission takes them farther east and dangerously close to the center of a top-secret Nazi project. Trying to improve relations between their sides, Tagomi reaches out to Smith. Smith makes a crucial discovery. Kido finds closure.

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episode

10. Jahr Null

Juliana's attempt to stop the Nazis lands her in a precarious position. Himmler and John Smith lead a lavish celebration of Year Zero. Amid a series of successes, Smith faces a setback. Kido returns to San Francisco with a prize, performs an act of kindness for a friend. Tagomi makes a difficult decision. Ed returns to San Francisco and reconnects with Childan.

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International Critic Reviews

avatar
mgenth@MGenth
6/10

How appellant the idea of a multiverse where the wavefunction collapse doesn't turn realities unreachable from the other quantum fluctuation results, in brief terms, referring to the "Many Worlds Theory" or the different view of Laura Mersini-Houghton. So the gods want, personna dream. As if the kraft happens, the series goes beyond the original work, admiringly well. The details, scenarios, characters. As a youngster I read mostly the twisted Philip K. Dick stories, those with bugs... Who knows how many, forty years ago? Not me.Heinlein or Le Guin, The Stars My Destination, the Heechee saga, Dorsai, even "old style space operas" by EE Doc Smith, Clifford Simak, to name a few, seemed to leave a clearer picture than Philip K. Dick which one must reread here and then considering the number of superb cinema and TV "Adaptations", too much to refer or choose one as "the best". Not a fan of dystopian literature or ordinary TV series. But nothing of ordinary is here at play and there are Utopian undeniable traces. Art, decadence, suffering and resilience, life at its fullest. Love, and the hero within each child to crown the cake. This work of distinguished direction, production, excellent acting and good pace, constitutes a good ensemble, rising the level and not defrauding our founded expectations. For personal reasons I usually expect the conclusion or at least two sequences and then let some distance from trailers, critics. Tasted it at a given opportunity. Better late than sorrow. It was a pleasure to follow, in a row, three seasons of The Man in the High Castle. Congratulations to the crew. Honored, with a bow.

avatar
tmdb32847728@tmdb32847728
9/10

# One of the best TV dramas in recent memory <b>First, a disclaimer:</b> I've not read Dicks' original version of <i>The Man in the High Castle</i>, nor do I intend to read it. I am judging the show entirely on its own merits, without any influence or critiquing related to the novel. ## On to the review! I'm going to keep this short and simple, so you don't have to read a shit-ton of stuff and so that I don't write any spoilers. Here's what you need to know: As a sci-fi story, <i>The Man in the High Castle</i> falls a bit short. The showrunners tried to wrap up the sci-fi bit at the end, but they did a pretty piss-poor job. Budget cuts? Rushed delivery? Who knows? Fortunately, the sci-fi aspect of this story isn't actually what makes it great. What makes <i>The Man in the High Castle</i> great storytelling and great television is the alt-history and the in-depth character story arcs; in particular, the story of the Smiths—the highest-ranking family in the Nazis' American Reich—is absolutely fantastic. In John and Helen Smith, we get to explore what it might have meant for regular Americans to throw their lots in with the Nazi Party had the Axis powers won WWII. Through dialogue and flashbacks, we get to see how joining the Nazi Party twisted both John and Helen into persons unrecognizable from their alt-world selves. Truly, the Smiths' story arc was easily my favorite, and it is the backbone of the show. You will never feel sorry for John or Helen, but you will understand them—and you will feel sorry for their children. Add to this mix some solid intrigue and action, plus a strong, capable female protagonist, and you will see why <i>The Man in the High Castle</i> is really good television. Also, don't let my initial talk of the sci-fi component scare you off. The showrunners may not have done a great job of resolving that part of the story, but the characters' stories were all resolved to my satisfaction. (Well, with one exception, but...it didn't ruin the show for me.) I recommend this show highly to people who enjoy: - Military fiction - Historical fiction - Alt-historical fiction - [Light] sci-fi - Political intrigues/dramas/thrillers

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GenerationofSwine@GenerationofSwine
1/10

So, the problem that we are facing with this is that the episodes exceed the story. It's the same problem that a LOT of television shows on streaming services suffer from. They have a few too many episodes for the story they are telling in the season. About 8 episodes per season and about 5 episodes of actual story. The result is so much filler that it seems to drag and not really accomplish anything of value. However, the story is interesting, as is the world that it is set in. Unlike A Handmaiden's Tale, or really, a lot of other shows, it doesn't feel like you are being lectured to. But it does feel like it dragged. All they needed to do was lesson the amount of episodes to fit the story, or add a subplot or two more and it would have been a killer show. Instead, the result is a good show that has been stretched until it's paper thin And then season 3 hit and what was good was replaced with woke messaging. And the lectures became nonstop.

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