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Thế Giới Của Phát Xít (Phần 4)

The Man in the High Castle (Season 4)

7.9 | 59 phút/tập • 2019 • Viễn Tưởng • Khoa Học

Nội dung

Sau khi đưa cuộn phim cho Joe, Juliana buộc phải chạy trốn khỏi sự giận dữ của lực lượng Kháng chiến trong khi bắt đầu một con đường mới để cứu quê hương khỏi bị phá hủy. Joe đối mặt với người cha vắng mặt của mình ở Berlin, người không như vẻ bề ngoài. Smith vật lộn với việc phải làm gì với đứa con trai ốm yếu của mình. Frank đánh cược mạng sống của mình để cứu Ed. Cuộc sống của Tagomi bị đảo lộn bởi chuyến "du hành" đến một thế giới khác.

#based on novel or book#resistance#nazi#dystopia#alternate history#post world war ii#alternative reality#antagonistic

Thông tin sản xuất

January 15, 2015

Ngày phát hành

Truy cập website

Website chính thức

🇬🇧

United Kingdom

Region (GB)

🇺🇸

United States of America

Region (US)

Amazon Studios

Amazon Studios

US

Electric Shepherd Productions

Electric Shepherd Productions

US

Headline Pictures

Headline Pictures

GB

Picrow

Picrow

US

Scott Free Productions

Scott Free Productions

US

Đạo diễn

cast.name

Ridley Scott

Female

Diễn viên

cast.name

Alexa Davalos

Juliana Crain

cast.name

Rufus Sewell

John Smith

cast.name

Joel de la Fuente

Inspector Kido

cast.name

Jason O'Mara

Wyatt Price

cast.name

Brennan Brown

Robert Childan

cast.name

Chelah Horsdal

Helen Smith

cast.name

Frances Turner

Bell Mallory

Tập phim Hoàn tất (10/10)

episode

1. Hexagram 64

Juliana Crain finds herself in a new world. In the wake of an attack on Trade Minister Tagomi, Chief Inspector Kido begins a crackdown against the suspected culprits: the Black Communist Rebellion. John Smith leads a military incursion into the Neutral Zone to capture Wyatt Price and his rebel army. Helen Smith’s new independence is tested as John comes to claim his daughters.

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episode

2. Every Door Out...

John Smith receives key intelligence from his officers at the Die Nebenwelt complex, while back at home he struggles with the changing dynamics of his family. Bell Mallory and the BCR join forces with Wyatt Price’s rebels. Kido tries to bond with his estranged son, Toru. Childan makes a connection with his Japanese assistant. Juliana discovers an enemy in one world can be a friend in another.

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episode

3. The Box

Wyatt’s rebels and the BCR join forces to attack Tokyo’s elite at Robert Childan’s auction. Helen comes back to the Reich to protect her children. Kido receives an unexpected call from the Yakuza. Smith sends an assassin to kill Juliana.

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episode

4. Happy Trails

John and Helen host Himmler and his wife for dinner, along with a new and dangerous threat from Berlin, Obergruppenführer Goertzmann. Juliana returns to the High Castle world, arriving in the ruins of what is now known as “The District of Contamination.” Kido is forced to turn against the Crown Princess by his general. A captive Hawthorne Abendsen shares some new tales from the High Castle.

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episode

5. Mauvaise Foi

John Smith is forced to confront the choices he’s made. The Empire attempts secret peace talks with the BCR. Kido arrests a traitor, threatening to divide the Japanese against themselves. Helen is assigned a new security minder. Juliana reunites with Wyatt to plan the fall of the American Reich.

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episode

6. All Serious Daring

John Smith discovers that one can get lost on the path not taken. Juliana attempts to decode hidden messages from Abendsen. Amid voices of dissent, Bell devises a new strategy for the BCR. Kido must decide where his true loyalties lie, even if it costs him the Empire.

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episode

7. No Masters But Ourselves

The BCR launches a massive assault across the JPS, and Kido finds the fate of the Empire in his hands. Childan becomes a captive of the Kempeitai. Helen resolves to support her husband by re-entering public life. Juliana and Wyatt arrive in New York to plan a daring new strategy against Smith.

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episode

8. Hitler Has Only Got One Ball

Juliana’s instincts about Helen are put to the ultimate test. As San Francisco evacuates, Kido goes in search of his son, only to find himself a captive. A letter arrives, forever changing Childan and Yukiko’s lives. The BCR receives an unexpected offer of help from the Yakuza. Abendsen condemns Smith with his final prediction.

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episode

9. For Want of a Nail

Smith and Helen’s true loyalties are placed on trial by an old nemesis. The BCR struggles to maintain order across the JPS. Kido is forced to confront his atrocities. Bands of roving vigilantes threaten Childan and Yukiko.

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episode

10. Fire from the Gods

On the brink of an inevitable Nazi invasion, the BCR brace for impact as Kido races against the clock to find his son. Childan offers everything he has to make his way back to Yukiko. Helen is forced to choose whether or not to betray her husband, as she and Smith travel by high speed train to the Portal - with Juliana and Wyatt lying in wait.

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Trailer


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International Critic Reviews

avatar
mgenth@MGenth
6/10

How appellant the idea of a multiverse where the wavefunction collapse doesn't turn realities unreachable from the other quantum fluctuation results, in brief terms, referring to the "Many Worlds Theory" or the different view of Laura Mersini-Houghton. So the gods want, personna dream. As if the kraft happens, the series goes beyond the original work, admiringly well. The details, scenarios, characters. As a youngster I read mostly the twisted Philip K. Dick stories, those with bugs... Who knows how many, forty years ago? Not me.Heinlein or Le Guin, The Stars My Destination, the Heechee saga, Dorsai, even "old style space operas" by EE Doc Smith, Clifford Simak, to name a few, seemed to leave a clearer picture than Philip K. Dick which one must reread here and then considering the number of superb cinema and TV "Adaptations", too much to refer or choose one as "the best". Not a fan of dystopian literature or ordinary TV series. But nothing of ordinary is here at play and there are Utopian undeniable traces. Art, decadence, suffering and resilience, life at its fullest. Love, and the hero within each child to crown the cake. This work of distinguished direction, production, excellent acting and good pace, constitutes a good ensemble, rising the level and not defrauding our founded expectations. For personal reasons I usually expect the conclusion or at least two sequences and then let some distance from trailers, critics. Tasted it at a given opportunity. Better late than sorrow. It was a pleasure to follow, in a row, three seasons of The Man in the High Castle. Congratulations to the crew. Honored, with a bow.

avatar
tmdb32847728@tmdb32847728
9/10

# One of the best TV dramas in recent memory <b>First, a disclaimer:</b> I've not read Dicks' original version of <i>The Man in the High Castle</i>, nor do I intend to read it. I am judging the show entirely on its own merits, without any influence or critiquing related to the novel. ## On to the review! I'm going to keep this short and simple, so you don't have to read a shit-ton of stuff and so that I don't write any spoilers. Here's what you need to know: As a sci-fi story, <i>The Man in the High Castle</i> falls a bit short. The showrunners tried to wrap up the sci-fi bit at the end, but they did a pretty piss-poor job. Budget cuts? Rushed delivery? Who knows? Fortunately, the sci-fi aspect of this story isn't actually what makes it great. What makes <i>The Man in the High Castle</i> great storytelling and great television is the alt-history and the in-depth character story arcs; in particular, the story of the Smiths—the highest-ranking family in the Nazis' American Reich—is absolutely fantastic. In John and Helen Smith, we get to explore what it might have meant for regular Americans to throw their lots in with the Nazi Party had the Axis powers won WWII. Through dialogue and flashbacks, we get to see how joining the Nazi Party twisted both John and Helen into persons unrecognizable from their alt-world selves. Truly, the Smiths' story arc was easily my favorite, and it is the backbone of the show. You will never feel sorry for John or Helen, but you will understand them—and you will feel sorry for their children. Add to this mix some solid intrigue and action, plus a strong, capable female protagonist, and you will see why <i>The Man in the High Castle</i> is really good television. Also, don't let my initial talk of the sci-fi component scare you off. The showrunners may not have done a great job of resolving that part of the story, but the characters' stories were all resolved to my satisfaction. (Well, with one exception, but...it didn't ruin the show for me.) I recommend this show highly to people who enjoy: - Military fiction - Historical fiction - Alt-historical fiction - [Light] sci-fi - Political intrigues/dramas/thrillers

avatar
GenerationofSwine@GenerationofSwine
1/10

So, the problem that we are facing with this is that the episodes exceed the story. It's the same problem that a LOT of television shows on streaming services suffer from. They have a few too many episodes for the story they are telling in the season. About 8 episodes per season and about 5 episodes of actual story. The result is so much filler that it seems to drag and not really accomplish anything of value. However, the story is interesting, as is the world that it is set in. Unlike A Handmaiden's Tale, or really, a lot of other shows, it doesn't feel like you are being lectured to. But it does feel like it dragged. All they needed to do was lesson the amount of episodes to fit the story, or add a subplot or two more and it would have been a killer show. Instead, the result is a good show that has been stretched until it's paper thin And then season 3 hit and what was good was replaced with woke messaging. And the lectures became nonstop.

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