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Thế Giới Của Phát Xít (Phần 2)

The Man in the High Castle (Season 2)

7.9 | 59 phút/tập • 2016 • Viễn Tưởng • Khoa Học

Nội dung

Sau khi đưa cuộn phim cho Joe, Juliana buộc phải chạy trốn khỏi sự giận dữ của lực lượng Kháng chiến trong khi bắt đầu một con đường mới để cứu quê hương khỏi bị phá hủy. Joe đối mặt với người cha vắng mặt của mình ở Berlin, người không như vẻ bề ngoài. Smith vật lộn với việc phải làm gì với đứa con trai ốm yếu của mình. Frank đánh cược mạng sống của mình để cứu Ed. Cuộc sống của Tagomi bị đảo lộn bởi chuyến "du hành" đến một thế giới khác.

#based on novel or book#resistance#nazi#dystopia#alternate history#post world war ii#alternative reality#antagonistic

Thông tin sản xuất

January 15, 2015

Ngày phát hành

Truy cập website

Website chính thức

🇬🇧

United Kingdom

Region (GB)

🇺🇸

United States of America

Region (US)

Amazon Studios

Amazon Studios

US

Electric Shepherd Productions

Electric Shepherd Productions

US

Headline Pictures

Headline Pictures

GB

Picrow

Picrow

US

Scott Free Productions

Scott Free Productions

US

Đạo diễn

cast.name

Ridley Scott

Female

Diễn viên

cast.name

Alexa Davalos

Juliana Crain

cast.name

Rufus Sewell

John Smith

cast.name

Joel de la Fuente

Inspector Kido

cast.name

Brennan Brown

Robert Childan

cast.name

Cary-Hiroyuki Tagawa

Nobusuke Tagomi

cast.name

DJ Qualls

Ed McCarthy

cast.name

Rupert Evans

Frank Frink

cast.name

Luke Kleintank

Joe Blake

cast.name

Callum Keith Rennie

Gary Connell

cast.name

Bella Heathcote

Nicole Dörmer

Tập phim Hoàn tất (10/10)

episode

1. The Tiger's Cave

When Julianna allows Joe to flee from the hands of the Resistance, she is questioned on her loyalty, Obergruppenführer John Smith returns with news on the event that almost led to his death and Trade Minister Tagomi is overwhelmed by the vision of life if the Nazis had failed to win World War 2.

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episode

2. The Road Less Traveled

After narrowly escaping death, Juliana discovers a family secret that could have global implications - and leads her to make a life-changing decision. Kido, Tagomi, and Frank all take dangerous risks, while back in New York, Joe settles into a normal routine, only to have it turned upside down when Smith gives him the opportunity he's waited for his whole life.

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episode

3. Travelers

Fighting to acclimatize to the strange new world of Nazi New York, Juliana seeks out the one person she thinks she can trust: Joe Blake. Angry and defiant after Juliana's departure, Frank is drawn to the Resistance movement and its charismatic leader. Joe confronts his own identity when he finally meets his father.

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episode

4. Escalation

Juliana discovers she's far from safe from the Resistance in the Reich. Smith confronts the reality of the lengths he's willing to go to in order to protect his son. And another father - Joe's - tries to persuade him to give Berlin a chance. Frank also has a decision to make: how far is he prepared to go to help the Resistance cause?

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episode

5. Duck and Cover

Joe learns a truth about his past that makes him question everything. The rift between Frank and Ed widens as Frank is drawn further into the Resistance. In order to assure her safety, Juliana must betray someone close to her.

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episode

6. Kintsugi

Nicole introduces Joe to an unexpected side of Berlin, that leads him down a new path. On her new mission, Juliana inserts herself into the Smith's inner circle. Tagomi is finally reunited with his family, only to be faced with the prospect of losing them again.

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episode

7. Land O' Smiles

As Juliana worms closer to the Smiths, she discovers a dangerous secret. Childan and Ed get themselves in a sticky situation as they try to settle the Yakuza debt. On a Resistance mission, Frank uncovers a Japanese plan that could realize his worst nightmare.

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episode

8. Loose Lips

Juliana gathers intel for the Resistance that could trigger WWIII. When the political situation in Berlin becomes unsafe, Joe must make a choice that could put his life in danger. Frank learns the truth about Juliana, leading him to question his newfound Resistance family.

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episode

9. Detonation

Tagomi faces a dilemma: to stay with his family or return to the world he left behind. Desperate to escape the Reich, Juliana strikes a final, dangerous deal with the Resistance. When Ed reveals a secret that puts the Resistance plan in jeopardy, Frank must decide how to deal with his best friend's betrayal.

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episode

10. Fallout

Tagomi enlists Kido in a deception to save Japan from destruction. As Smith's life crumbles around him, he makes a dangerously bold play to hold onto his power. Joe tries to do the right thing but suffers the ultimate betrayal. Juliana must make a heart-wrenching choice that will shape the future of the world.

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Trailer


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International Critic Reviews

avatar
mgenth@MGenth
6/10

How appellant the idea of a multiverse where the wavefunction collapse doesn't turn realities unreachable from the other quantum fluctuation results, in brief terms, referring to the "Many Worlds Theory" or the different view of Laura Mersini-Houghton. So the gods want, personna dream. As if the kraft happens, the series goes beyond the original work, admiringly well. The details, scenarios, characters. As a youngster I read mostly the twisted Philip K. Dick stories, those with bugs... Who knows how many, forty years ago? Not me.Heinlein or Le Guin, The Stars My Destination, the Heechee saga, Dorsai, even "old style space operas" by EE Doc Smith, Clifford Simak, to name a few, seemed to leave a clearer picture than Philip K. Dick which one must reread here and then considering the number of superb cinema and TV "Adaptations", too much to refer or choose one as "the best". Not a fan of dystopian literature or ordinary TV series. But nothing of ordinary is here at play and there are Utopian undeniable traces. Art, decadence, suffering and resilience, life at its fullest. Love, and the hero within each child to crown the cake. This work of distinguished direction, production, excellent acting and good pace, constitutes a good ensemble, rising the level and not defrauding our founded expectations. For personal reasons I usually expect the conclusion or at least two sequences and then let some distance from trailers, critics. Tasted it at a given opportunity. Better late than sorrow. It was a pleasure to follow, in a row, three seasons of The Man in the High Castle. Congratulations to the crew. Honored, with a bow.

avatar
tmdb32847728@tmdb32847728
9/10

# One of the best TV dramas in recent memory <b>First, a disclaimer:</b> I've not read Dicks' original version of <i>The Man in the High Castle</i>, nor do I intend to read it. I am judging the show entirely on its own merits, without any influence or critiquing related to the novel. ## On to the review! I'm going to keep this short and simple, so you don't have to read a shit-ton of stuff and so that I don't write any spoilers. Here's what you need to know: As a sci-fi story, <i>The Man in the High Castle</i> falls a bit short. The showrunners tried to wrap up the sci-fi bit at the end, but they did a pretty piss-poor job. Budget cuts? Rushed delivery? Who knows? Fortunately, the sci-fi aspect of this story isn't actually what makes it great. What makes <i>The Man in the High Castle</i> great storytelling and great television is the alt-history and the in-depth character story arcs; in particular, the story of the Smiths—the highest-ranking family in the Nazis' American Reich—is absolutely fantastic. In John and Helen Smith, we get to explore what it might have meant for regular Americans to throw their lots in with the Nazi Party had the Axis powers won WWII. Through dialogue and flashbacks, we get to see how joining the Nazi Party twisted both John and Helen into persons unrecognizable from their alt-world selves. Truly, the Smiths' story arc was easily my favorite, and it is the backbone of the show. You will never feel sorry for John or Helen, but you will understand them—and you will feel sorry for their children. Add to this mix some solid intrigue and action, plus a strong, capable female protagonist, and you will see why <i>The Man in the High Castle</i> is really good television. Also, don't let my initial talk of the sci-fi component scare you off. The showrunners may not have done a great job of resolving that part of the story, but the characters' stories were all resolved to my satisfaction. (Well, with one exception, but...it didn't ruin the show for me.) I recommend this show highly to people who enjoy: - Military fiction - Historical fiction - Alt-historical fiction - [Light] sci-fi - Political intrigues/dramas/thrillers

avatar
GenerationofSwine@GenerationofSwine
1/10

So, the problem that we are facing with this is that the episodes exceed the story. It's the same problem that a LOT of television shows on streaming services suffer from. They have a few too many episodes for the story they are telling in the season. About 8 episodes per season and about 5 episodes of actual story. The result is so much filler that it seems to drag and not really accomplish anything of value. However, the story is interesting, as is the world that it is set in. Unlike A Handmaiden's Tale, or really, a lot of other shows, it doesn't feel like you are being lectured to. But it does feel like it dragged. All they needed to do was lesson the amount of episodes to fit the story, or add a subplot or two more and it would have been a killer show. Instead, the result is a good show that has been stretched until it's paper thin And then season 3 hit and what was good was replaced with woke messaging. And the lectures became nonstop.

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