Phim lẻ
Nội dung
Cô con gái nhỏ của một nhà báo biến mất không dấu vết trong sa mạc – tám năm sau, gia đình tan vỡ bàng hoàng khi cô trở về, và điều lẽ ra phải là cuộc hội ngộ hạnh phúc lại biến thành một cơn ác mộng kinh hoàng.
Thông tin sản xuất
April 15, 2026
Ngày phát hành
$22,000,000
Ngân sách
$90,452,113
Doanh thu
Truy cập website
Website chính thức
United States of America
Region (US)
Ireland
Region (IE)

Atomic Monster
US

Blumhouse Productions
US

New Line Cinema
US

Domain Entertainment
US
Wicked/Good
IE
Đạo diễn
Lee Cronin
Female
James Wan
Female
Diễn viên
Jack Reynor
Charlie Cannon
Laia Costa
Larissa Cannon
May Calamawy
Detective Dalia Zaki
Natalie Grace
Katie Cannon
Shylo Molina
Sebastián Cannon
Billie Roy
Maud Cannon
Veronica Falcón
Carmen Santiago
Hayat Kamille
The Magician
May Elghety
Layla Khalil
Emily Mitchell
Young Katie Cannon
Husam Chadat
Detective Ismail
Tim Seyfi
Doctor El-Sayed
Mark Mitchinson
Professor Bixler
Gideon Emery
Vogel
Dean Allen Williams
Young Sebastián Cannon
Gerald Papasian
Omar Farid
Hanna Khogali
Nadia Taylor
Amr Atia
Officer Adel Salah
Jonny Everett
Albuquerque Newsreader
Lily Sullivan
Miss Mills
Montserrat Alcoverro
Lucia
Jonathan Gunning
The Eighty-First Mummy
Omar El-Saeidi
Gamal Khalil
Jolly Abraham
Newsreader
Trailer
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Điệp Viên 007: Tử Địa Skyfall
Skyfall
7.8 | Hành Động • Kinh Dị

Sòng Bạc Hoàng Gia
Casino Royale
8.0 | Hành Động • Kinh Dị

Không phải lúc chết
No Time to Die
7.3 | Hành Động • Kinh Dị

Định Mức Khuây Khỏa
Quantum of Solace
6.5 | Hành Động • Kinh Dị

Vùng Biển Chết Chóc
Deep Water
6.9 | Kinh Dị

Mồi Cá Mập
Chum
3.6 | Kinh Dị

Vòng Lặp Ký Ức
Affection
6.4 | Viễn Tưởng • Khoa Học

Hậu Phòng Vô Tận
Backrooms
7.1 | Viễn Tưởng • Khoa Học

Ba Trợn
Hokum
7.5 | Kinh Dị

Phổi Sắt
Iron Lung
6.5 | Viễn Tưởng • Khoa Học

Tâm lý Mexico
Mexican Psycho
8.3 | Kinh Dị

Lure
Lure
4.0 | Kinh Dị

Phù thủy kêu gọi
The Calling Witch
4.6 | Kinh Dị • Chính kịch

Địa ngục hiểm ác
Insidious Inferno
2.5 | Kinh Dị

Wellwood
Wellwood
5.1 | Viễn Tưởng • Khoa Học

Một bộ phim của Lee Cronin: Xác ướp
Lee Cronin's The Mummy
6.5 | Kinh Dị • Bí ẩn

Muôn Mặt Cái Chết
Faces of Death
6.5 | Kinh Dị

Cannibal Mukbang
Cannibal Mukbang
7.4 | Hài Hước • Kinh Dị

Thị trấn giun đất
Wormtown
5.8 | Viễn Tưởng • Phiêu Lưu

Khách
Passenger
5.0 | Kinh Dị

Trái Cấm
Forbidden Fruits
6.1 | Hài Hước • Kinh Dị

Eye for an Eye
Eye for an Eye
4.9 | Kinh Dị

Một giống ngoài
A Breed Apart
5.2 | Hành Động • Kinh Dị

Rác Đường Phố
Street Trash
4.5 | Hài Hước • Kinh Dị
Screens & Gallery















International Critic Reviews
Lee Cronin’s The Mummy isn’t scary or memorable; it’s raunchy exploitation and over-orchestrated expired cheese. It is a horror film that reeks of nothing but ridiculousness. The sad part is there’s a decent enough concept buried somewhere within this vomit-drenched monstrosity and a killer ambiance that is borderline spine-tingling. https://bit.ly/MummyBarf

I had high hopes for this, but boy was I disappointed... Instead of getting Christopher Lee, Boris Karloff or even Arnold Vosloo - we get a modern day "Carrie" with a few bandages and a rehash of the "Azazel" story - only this time with a sarcophagus and lots of rusty chains. We begin when the young daughter of "Charlie" (Jack Reynor) and "Larissa" (Laia Costa) is abducted by someone at the bottom of their garden who has been grooming her with candy bars at their Cairo home. Despite the best efforts of the police, there proves little that can be done and so the family relocate back to the USA and get on with raising their other two children. Then, out of the blue, "Det. Zaki" (May Calamawy) calls to say she has been found after an aeroplane crashed in the desert. Catatonic, the young girl (Natalie Grace) is brought home but swiftly we realise that all is not well and that when things begin to go bump in the night, some malevolence becomes apparent. What could possibly happen next? Well, sadly, there isn't the slightest hint of jeopardy about any of that as the visual effects designers go into overdrive and the writers head back to the pub. There simply isn't anything here that is remotely scary nor that does any justice to the ancient Egyptian mythology that could have better underpinned this mystery had Lee Cronin actually taken some trouble to build on that richness instead of sticking with the typical family panicky melodrama, albeit entertainingly augmented with some modern-day false teeth. There is the slightest of twists at the denouement that did make me smile - until I realised that might also signal sequel, and then I left to go home and watch a film that actually evokes something of the eerie and the mystical from this ancient culture. At least she wasn't a doll!

We can all just say that this is Evil Dead, right? I mean, it is, in everything but name, with some flimsy other story tacked on over it. It is shot like Evil Dead, its dialogue fits the Evil Dead, the narrative is Evil Dead. It just happens to not be Evil Dead. And it is all the worse for it. Because it is NOT Evil Dead, and instead tries to say something else, but gets bogged down in its format, and becomes this bland, uninteresting goop. It is proficient, sure, but it is almost desperate, and it is not engaging, and certainly not fun.