Phim lẻ
Nội dung
Một nhà văn chuyên viết tiểu thuyết kinh dị đến một quán trọ hẻo lánh ở Ireland để rải tro cốt của cha mẹ mình. Không hay biết rằng nơi đây bị đồn đại là bị ám bởi một mụ phù thủy, anh dần nhận ra chuyến đi tưởng như riêng tư và yên lặng này đang kéo anh vào một nỗi kinh hoàng cổ xưa.
Thông tin sản xuất
April 29, 2026
Ngày phát hành
$5,000,000
Ngân sách
$23,563,104
Doanh thu
Truy cập website
Website chính thức
United States of America
Region (US)
Ireland
Region (IE)
United Arab Emirates
Region (AE)
Hong Kong
Region (HK)

Spooky Pictures
US

Image Nation Abu Dhabi
AE
Cweature Features
US
Team Thrives
HK

Tailored Films
IE

Fís Éireann/Screen Ireland
IE
Đạo diễn
Damian McCarthy
Female
Sebastian Beausang
Female
Diễn viên
Adam Scott
Ohm Bauman
Peter Coonan
Mal
David Wilmot
Jerry
Florence Ordesh
Fiona
Will O'Connell
Alby / Jack the Jackass
Michael Patric
Fergal
Brendan Conroy
Mr. Cobb
Austin Amelio
Conquistador
Ezra Carlisle
Boy
Mallory Adams
Delia Bauman
Sioux Carroll
Witch
Trailer
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Thái Bình Trấn Kỳ Đàm
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Trường Dạ Vĩnh Ninh
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Naked Poison
5.1 | Hình Sự • Kinh Dị

Truyền Thuyết Thanh Thạch Trấn
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5.0 | Phiêu Lưu • Kinh Dị

Búp bê tử thần
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4.5 | Kinh Dị

Tội Ác Tàn Bạo
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Ký Ức Máu
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5.0 | Bí ẩn • Kinh Dị

Bác sĩ cừu non
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Xà Nữ
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Ngôi Nhà Mơ Ước
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A Night of Soul Turning
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Screens & Gallery















International Critic Reviews

Perhaps the vicar was just clearing his throat at his Christening, but anyway it's author "Ohm" (Adam Scott) who is about to conclude the final instalment of his legendary "Conquistador" trilogy when he is reminded that he still has the ashes of his parents in a cupboard, alongside a photograph of his mum leaning against a giant tree. He decides that the best place for them to rest is under that very tree, so he sets off to Ireland and a remote country hotel. His arrival gives him (and us) an idea of just how quirky this place is, and the fact that he's a bit attitudinal suggests the trip isn't going to go so well. That turns out not to be the half of it, though, as a timely intervention by barmaid "Fiona" (Florence Ordesh) proves just the start of an intrigue that involves her disappearance, a dead goat, a crossbow, a locked honeymoon suite, an enigmatic vagrant (David Wilmot) and a very busy dumb waiter. Of course the woodland setting plays an huge part in creating the sense of tension, and from that it's the wind howling audio that works best as well as some dim - but plausible - shadowy lighting. Ok, so this hotel does appear more labyrinthine than Churchill's War rooms and the story itself isn't without the odd hole or two, but I felt Scott (who reminded me of David Tennant) held this together quite well as his character's current predicament is woven in with an historical one that fills in a few gaps as to why mum and dad lay around in the wardrobe for a while and why he is so antsy. It's tensely directed, there is a little humour amidst the craic, and this is certainly amongst the best cinema releases from this genre so far this year.

It struggles to build tension and meanders at times, but this is not a bad movie. I get a very similar vibe to 1408, which came out in 2007, and Grave Encounters, especially the first one. The casting here is good and carries a lot of the movie, but the pacing is a bit slow and it's difficult to feel for the protagonist, which means that the tension doesn't quite build the way it should.