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Phim bộ

Vương Triều Tudors (Phần 2)

The Tudors (Season 2)

8.1 | 55 phút/tập • 2008 • Chính kịch

Nội dung

Henry nhanh chóng tiếp thu những ý tưởng của Lutheran, đoạn tuyệt với Nhà thờ và kết hôn với Anne Boleyn, nhưng Brandon đã gieo mầm mống nghi ngờ về lòng chung thủy của nữ hoàng mới của mình trong tâm trí nhà vua; lời thề trung thành khiến Henry chống lại người cố vấn Thomas More của mình.

#england#monarchy#royal family#tudor#anne boleyn#king of england#henry viii#palace intrigue#historical drama#16th century#simulated sex

Thông tin sản xuất

April 1, 2007

Ngày phát hành

Truy cập website

Website chính thức

🇬🇧

United Kingdom

Region (GB)

🇺🇸

United States of America

Region (US)

🇮🇪

Ireland

Region (IE)

🇨🇦

Canada

Region (CA)

TM Productions

TM Productions

Producer

Peace Arch Entertainment Group

Peace Arch Entertainment Group

Producer

Showtime Networks

Showtime Networks

US

Reveille Productions

Reveille Productions

US

Working Title Films

Working Title Films

GB

CBC

CBC

CA

Đạo diễn

Updating

Diễn viên

cast.name

Jonathan Rhys Meyers

Henry VIII of England

cast.name

Henry Cavill

Charles Brandon

cast.name

James Frain

Thomas Cromwell

cast.name

Natalie Dormer

Anne Boleyn

cast.name

Maria Doyle Kennedy

Catherine of Aragon

cast.name

Nick Dunning

Thomas Boleyn

cast.name

Jeremy Northam

Sir Thomas More

cast.name

Annabelle Wallis

Jane Seymour

cast.name

Steven Waddington

Duke of Buckingham

cast.name

Hans Matheson

Thomas Cranmer

cast.name

Peter O'Toole

Pope Paul III

cast.name

David O'Hara

Henry Howard

cast.name

Joely Richardson

Catherine Parr

cast.name

Charlotte Salt

Lady Ursula Misseldon

cast.name

Kristen Holden-Ried

William Compton

cast.name

Pádraic Delaney

George Boleyn

cast.name

Anthony Brophy

Ambassador Eustace Chapuys

cast.name

Anita Briem

Jane Seymour

cast.name

Sarah Bolger

Princess Mary Tudor

cast.name

Jamie Thomas King

Sir Thomas Wyatt

cast.name

John Kavanagh

Cardinal Lorenzo Campeggio

cast.name

Bosco Hogan

John Fisher, Bishop of Rochester

Tập phim Hoàn Tất (10/10)

episode

1. Everything is Beautiful

The King makes himself head of the Church of England while the Catholic Church fights a losing battle to control Henry VIII's desire for an annulment. Anne Boleyn demands that Henry break off contact with Katherine, so the noble Queen is banished from court. On top of that The Reformation is underway.

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episode

2. Tears of Blood

Christmas at the Tudor court is a time for ringing in the new. Mistress Anne Boleyn has replaced the banished Queen Katherine. The King's chaplain, Thomas Cranmer, makes a fact-finding visit to Lutheran Germany while Henry withdraws both the authority and taxes of the Catholic Church at home. And a royal visit to France finally convinces Anne to consummate her relationship with Henry, even as his best friend Charles Brandon suggests that she is no virgin.

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episode

3. Checkmate

Henry's patience finally wears out and he marries Anne in secret, appoints his Lutheran chaplain Thomas Cranmer the head of the Church of England, and strips Queen Katherine of her title and status; the king and new queen have their first child, and are disappointed that it's a girl...whom they christen Elizabeth.

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episode

4. The Act of Succession

Sir Thomas More refuses to accept Henry's command that his people swear an oath of "allegiance and recognition of the King's supremacy" to both church and state. Anne is made aware of the King's womanizing ways, and arranges then gives her blessing to his next mistress. Also, Anne has a confrontation with Lady Mary, Henry's daughter.

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episode

5. His Majesty's Pleasure

Attempts to legitimise the King's marriage and increase his power hit unmovable obstacles as Sir Thomas More and Bishop Fisher insist that only God can be head of the church. Imprisoned in the Tower of London they face likely execution unless they take the Oath of Allegiance. Meanwhile Henry's wandering eye continues to roam.

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episode

6. The Definition of Love

As the Reformation gathers pace Sir Thomas Cromwell becomes ever more powerful as propagandist-in-chief of a new moral order. Royal confidence has given way to doubt. Henry is haunted by the memory of the executed Thomas More while Queen Anne Boleyn's insecurities border on paranoia. Her husband's affairs continue and an effort to have her daughter Elizabeth betrothed to a French royal fails when the French King refuses to recognise that the infant Princess is of legitimate birth.

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episode

7. Matters of State

The English Reformation is in full swing. Queen Anne suffers from nightmares and feels threatened by Katherine and her daughter. Henry pays an unplanned visit to an old friend, Sir John Seymour, father of Jane Seymour.

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episode

8. Lady in Waiting

At Henry's command Jane Seymour is made a lady-in-waiting to Anne Boleyn, to the discomfort and suspicion of the Queen. When Henry is seriously injured in a jousting match all thoughts turn to who might succeed him. There will be far-reaching consequences if Anne's pregnancy does not deliver a healthy son.

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episode

9. The Act of Treason

Anne has lost a son and with it her last chance at a lasting marriage with Henry. The King's affections are shifting anyway: the Seymour family are awarded rooms at court and seem likely to replace the Boleyns as royal favourites. Several in the court begin to move against Anne who is accused of adultery. Arrests are made of suspected lovers and of Anne herself. All, including the Queen, are sentenced to death.

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episode

10. Destiny and Fortune

Queen Anne is imprisoned in the Tower, awaiting her execution. The king granted her wish for a special executioner, but he is delayed and the execution has to be postponed. King Henry proposes to Jane Seymour now that his marriage to Anne has been declared null and void. He hopes she will gave him a legitimate, male heir.

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International Critic Reviews

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CinemaSerf@Geronimo1967

When you consider the richness of the dramatic storylines provided by the Medici and the Borgia - everything from megalomania, incest, war, debauchery, torture - even the odd, honest loving relationship - then the Tudors, a family of upstart Welsh "pantrymen" (as Errol Flynn referred to them in "The Private Lives of Elizabeth and Essex" (1939)), ought to be up there. Well, sadly, this doesn't really deliver at all. Henry VII - the first Tudor king of England - who reigned for almost a quarter of a century doesn't feature at all; therefore we are deprived of any backstory to the real focus character of these 38 episodes. Henry VIII had a reputation as a brute, a violent headstrong man with a penchant for women, power and coupled with his arguably even more ambitious Chancellor Wolsey we ought to have had a belter of a drama with just about nothing off limits! Nope, no chance - we have in the two lead characters the Tudor equivalent of "Peter Pan" and "Wendy". Jonathan Rhys Meyers is dreadful, and Sam Neill has all the menace of a wet sponge as the scheming Cardinal with designs on the Papacy. Regrettably, these lacklustre opening episodes sets the tone for the remainder of this really lacking drama. The storylines give the faintest of nods to this lively period of English history, but even the Anne Boleyn (the frankly awful Natalie Dormer) scenarios - which are the stuff of novels and dissertations the world over become little more than a fancy dress farce. We rarely see anything of substance emerge - the establishment of the Church of Engand is but a scant moment amongst the pantomime this has quickly become. Henry Cavill provides some eye candy as his best mate "Suffolk"; Kris Holden Reid as the sexually ambitious "Compton" (he of the famous Soho London St, presumably?) - hell, even Peter O'Toole gets in on the act picking up Sir John Gielgud's mantle as the go-to actor for the role of a Pope (Paul III). None of the wives, including the aforementioned Dormer, exude anything by way of chemistry or personality, with Joss Stone far too attractive to be the convincing turn off "Anne of Cleves" depicted here. To be fair, a great deal of attention has been paid to the look of the series. The costumes are top drawer and the CGI complimentary rather than intrusive. That said, the whole thing is an hugely disappointing exercise in big budget drama with little focus on the quality of the writing. The casting assumes we would rather have pretty things to look at than actors who could immerse us in this exciting and turbulent period of history - and aside from Ray Winstone's terrible effort with the same character (from 2003) this is easily the worst portrayal of Henry VIII I have ever witnessed. Mercifully, the whole thing runs out of steam before the accession of his daughter (another Tudor with an enthusiasm for depriving Queen's of their heads) saving us from being subjected to another 45 years worth of this sappy Showtime saga.

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