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Cuộc hôn nhân của Henry với thiếu niên phóng đãng, không chung thủy Catherine Howard kết thúc bằng cuộc hành quyết nhanh chóng của cô, nhưng cuối cùng anh cũng tìm thấy sự yên bình trong gia đình với Catherine Parr kiên định; cuộc chiến với Pháp và cái chết của Brandon báo hiệu những ngày tàn của Henry.
Thông tin sản xuất
April 1, 2007
Ngày phát hành
Truy cập website
Website chính thức
United Kingdom
Region (GB)
United States of America
Region (US)
Ireland
Region (IE)
Canada
Region (CA)
TM Productions
Producer
Peace Arch Entertainment Group
Producer

Showtime Networks
US

Reveille Productions
US

Working Title Films
GB

CBC
CA
Đạo diễn
Updating
Diễn viên
Jonathan Rhys Meyers
Henry VIII of England
Henry Cavill
Charles Brandon
Sarah Bolger
Mary Tudor
Max Brown
Edward Seymour
David O'Hara
Henry Howard
Lothaire Bluteau
Ambassador Charles de Marillac
Tamzin Merchant
Catherine Howard
Torrance Coombs
Thomas Culpepper
Anthony Brophy
Ambassador Eustace Chapuys
Laoise Murray
Princess Elizabeth Tudor
Eoin Murtagh
Prince Edward Tudor
Andrew McNair
Sir Thomas Seymour
Simon Ward
Bishop Stephen Gardiner
Joanne King
Jane Boleyn
Colm Wilkinson
Lord Darcy
Tập phim Hoàn Tất (10/10) / 38

1. Moment of Nostalgia
A long hot summer, thirty years into the reign of King Henry VIII, and well into middle age, Henry takes his fifth wife, Katherine Howard. The Queen's "low background" combined with her youth and beauty, arouses a lusty familiarity in certain members of King Henry's court most notably his handsome young servant Thomas Culpepper.

2. Sister
Thomas Culpepper - Henry VIII’s newest servant - continues to make eyes at his King’s young bride, Katherine Howard. Her servant suggests seduction. While the King shows his age by going to bed early during the Christmas celebration the young but not so innocent members of his court party on.

3. Something For You
Buoyed by the happiness that a young wife brings an aging man, Henry is noticeably more tolerant and forgiving than he once was. Such goodwill is well appreciated by the peasants of the North who gratefully accept Henry’s forgiveness for the Pilgrimage of Grace revolt, during a Royal visit. But the King’s benevolence may yet be tested by his new Queen: Katherine Howard has submitted to seduction by the young and handsome Thomas Culpepper.

4. Natural Ally
Rejuvenated by his tour of the north of England, Henry feels a new man and longs after his new Queen; unaware that her affections are diverted elsewhere. Katherine’s past begins to catch up as an old liaison comes looking for a job threatening to reveal all about their sexual history. Someone beats him to it when an anonymous letter is sent to the King containing accusations of adultery. Although unconvinced of the rumor, Henry confines Katherine to her apartments pending a thorough investigation.

5. Bottom Of The Pot
Lord Hertford’s investigation into allegations of the Queen’s infidelities moves with speed. Deeply upset by revelations of his beloved young wife’s sexual past, Henry weeps. But once adultery is uncovered, his response is swift and decisive.

6. You Have My Permission
Unmarried once more Henry reflects on his dynasty and orders a new Act of Parliament which restores the succession rights of his two daughters, the Princesses Elizabeth and Mary. His roving eye undaunted by age or experience, he notices the attractive soon-to-be widow Catherine Parr. After the disastrous mismatch of his last marriage a mature woman is just what he needs.

7. Sixth And The Final Wife
Henry marries Catherine Parr - his sixth and final wife. A loving step-mother and compassionate companion, Catherine is liked and respected by all at court save the Catholic Bishop Gardiner who suspects her to be a heretic. Henry prepares to invade France.

8. As It Should Be
The siege of Boulogne is a long, expensive and difficult military campaign that is finally won by Henry’s troops at great financial and human cost. Rejuvenated, Henry rejects the idea of marching on to further conquests, preferring to return to England in triumph.

9. Secrets of the Heart
Henry VIII’s health is on the slide: the recent siege of Boulogne has taken its toll on his aging body and his ulcerous leg is constantly in pain. Bishop Gardiner and the Catholic Church are once again in the ascendant at court but, tired of conflict, Henry demonstrates little enthusiasm for the ambitious Bishop’s accusation that Catherine Parr is a heretic.

10. Death of a Monarchy
Finale - Henry’s thoughts turn to his own mortality with the news that his long-time friend and sometimes foe King Francis, and his unshakable soldier Charles Brandon, are each dying. As he faces death, Henry encounters the ghosts of his former wives who each get a chance to confront him. Hans Holbein paints a last, iconic portrait of the Tudor King.
Trailer
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International Critic Reviews

When you consider the richness of the dramatic storylines provided by the Medici and the Borgia - everything from megalomania, incest, war, debauchery, torture - even the odd, honest loving relationship - then the Tudors, a family of upstart Welsh "pantrymen" (as Errol Flynn referred to them in "The Private Lives of Elizabeth and Essex" (1939)), ought to be up there. Well, sadly, this doesn't really deliver at all. Henry VII - the first Tudor king of England - who reigned for almost a quarter of a century doesn't feature at all; therefore we are deprived of any backstory to the real focus character of these 38 episodes. Henry VIII had a reputation as a brute, a violent headstrong man with a penchant for women, power and coupled with his arguably even more ambitious Chancellor Wolsey we ought to have had a belter of a drama with just about nothing off limits! Nope, no chance - we have in the two lead characters the Tudor equivalent of "Peter Pan" and "Wendy". Jonathan Rhys Meyers is dreadful, and Sam Neill has all the menace of a wet sponge as the scheming Cardinal with designs on the Papacy. Regrettably, these lacklustre opening episodes sets the tone for the remainder of this really lacking drama. The storylines give the faintest of nods to this lively period of English history, but even the Anne Boleyn (the frankly awful Natalie Dormer) scenarios - which are the stuff of novels and dissertations the world over become little more than a fancy dress farce. We rarely see anything of substance emerge - the establishment of the Church of Engand is but a scant moment amongst the pantomime this has quickly become. Henry Cavill provides some eye candy as his best mate "Suffolk"; Kris Holden Reid as the sexually ambitious "Compton" (he of the famous Soho London St, presumably?) - hell, even Peter O'Toole gets in on the act picking up Sir John Gielgud's mantle as the go-to actor for the role of a Pope (Paul III). None of the wives, including the aforementioned Dormer, exude anything by way of chemistry or personality, with Joss Stone far too attractive to be the convincing turn off "Anne of Cleves" depicted here. To be fair, a great deal of attention has been paid to the look of the series. The costumes are top drawer and the CGI complimentary rather than intrusive. That said, the whole thing is an hugely disappointing exercise in big budget drama with little focus on the quality of the writing. The casting assumes we would rather have pretty things to look at than actors who could immerse us in this exciting and turbulent period of history - and aside from Ray Winstone's terrible effort with the same character (from 2003) this is easily the worst portrayal of Henry VIII I have ever witnessed. Mercifully, the whole thing runs out of steam before the accession of his daughter (another Tudor with an enthusiasm for depriving Queen's of their heads) saving us from being subjected to another 45 years worth of this sappy Showtime saga.