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Phim bộ

Thế Giới Viễn Tây (Phần 2)

Westworld (Season 2)

8.4 | 68 phút/tập • 2018 • Khoa Học • Viễn Tưởng

Nội dung

Thế giới miền Tây (tiếng Anh: Westworld) là một bộ phim khoa học viễn tưởng miền Tây rùng rợn do tiểu thuyết gia Michael Crichton đạo diễn và viết kịch bản nói về những con rô-bốt trong công viên giải trí gặp sự cố và bắt đầu giết hại du khách tới đây. Phim có sự tham gia của Yul Brynner vai Gunslinger, Richard Benjamin vai Peter Martin và James Brolin vai John Blane.

#artificial intelligence (a.i.)#android#remake#role playing#second life#robot#wild west#theme park#based on movie#ethical dilemma#moral dilemma#psychological drama#amused#pretentious

Thông tin sản xuất

October 2, 2016

Ngày phát hành

Truy cập website

Website chính thức

🇺🇸

United States of America

Region (US)

Warner Bros. Television

Warner Bros. Television

US

Jerry Weintraub Productions

Jerry Weintraub Productions

US

Bad Robot

Bad Robot

US

Kilter Films

Kilter Films

US

Đạo diễn

cast.name

Frederick E. O. Toye

Female

cast.name

Richard J. Lewis

Female

cast.name

J.J. Abrams

Female

Diễn viên

cast.name

Evan Rachel Wood

Dolores Abernathy

cast.name

Thandiwe Newton

Maeve Millay

cast.name

Jeffrey Wright

Bernard Lowe

cast.name

Tessa Thompson

Charlotte Hale

cast.name

James Marsden

Theodore 'Teddy' Flood

cast.name

Angela Sarafyan

Clementine Pennyfeather

cast.name

Anthony Hopkins

Dr. Robert Ford

cast.name

Ingrid Bolsø Berdal

Armistice

cast.name

Ed Harris

Man in Black

cast.name

Fares Fares

Antoine Costa

cast.name

Louis Herthum

Peter Abernathy

cast.name

Talulah Riley

Angela

cast.name

Gustaf Skarsgård

Karl Strand

cast.name

Shannon Woodward

Elsie Hughes

cast.name

Simon Quarterman

Lee Sizemore

cast.name

Luke Hemsworth

Ashley Stubbs

cast.name

Clifton Collins Jr.

Lawrence / El Lazo

cast.name

Rodrigo Santoro

Hector Escaton

cast.name

Zahn McClarnon

Akecheta

Tập phim Hoàn Tất (10/10)

episode

1. Journey Into Night

The puppet show is over, and we are coming for you and the rest of your kind. Dolores leads a host revolution against the Delos board. Maeve, meanwhile, searches for what compelled her to return to the park.

play
episode

2. Reunion

Why don't we start at the beginning? Dolores remembers she's been to the outside world, William makes a bold business venture, and Maeve begins her quest for her daughter. Someone's always watching.

play
episode

3. Virtù e Fortuna

There is beauty in who we are. Shouldn't we, too, try to survive? Truth is, we don't all deserve to make it. Dolores makes her next move as Charlotte scrambles to protect Delos' most prized asset. Bernard gets closer to the truth and Maeve continues the search for her daughter.

play
episode

4. The Riddle of the Sphinx

Is this now? If you're looking forward, you're looking in the wrong direction. The Man in Black offers to lead the way and Delos gets a visitor. Who is James Delos? Or, perhaps more accurately, what is James Delos, the figure at the center of Delos' secret project.

play
episode

5. Akane No Mai

Maeve, Lee, Hector and Armistice have revelations in a new world adjacent to their own - welcome to Shogun World. Dolores makes a decision about Teddy, and Karl Strand discovers something sinister about the hosts' data.

play
episode

6. Phase Space

We each deserve to choose our own fate. Maeve continues the search for her daughter, as Dolores calculates her next, ruthless move. Bernard and Elsie break into a new laboratory space and get closer to the truth about Delos.

play
episode

7. Les Écorchés

When you're lost in the dark for long enough, you begin to see - strike the match. Bernard and Ford meet again, and Bernard grapples with the true meaning of the park. The Cradle is under threat and Maeve encounters a scene from her past - but this time, attempts to change the narrative, while the Man in Black discovers just how real the stakes are in Ford's game.

play
episode

8. Kiksuya

The past is calling, remember what was taken. "Mi cante ki yu ha ya ye." ("Take my heart when you go"). This is the telling of Akecheta's journey to consciousness.

play
episode

9. Vanishing Point

Tell me the truth. Tell me one true thing. Try to kill it all away, but I remember everything. A family tragedy and fragile states of mind come into focus as the Man in Black and Teddy both reach their breaking points.

play
episode

10. The Passenger

Hosts and humans converge at the Valley Beyond. This is the end. We will win.

play

Trailer


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International Critic Reviews

9
3/10

**It's a shame that this series isn't working out so far** The makers really should have followed the cheap and cheerful vibe of the 1973 movie. At least that was fun! This series suffers the post millennial habit of taking itself far too seriously ( think of the Daniel Craig Bond films) to the point that it becomes a chore to watch. The 1973 movie starring Yul Brynner and Richard Benjamin got everything right. Keep it simple, keep it fun. That way lies a far more rewarding viewing experience.

—/10

This show is a sort of what-if: what if highly advanced robots were developed, ostensibly to populate a theme park? Different characters react according to their personalities. To Dr. Ford (Sir Anthony Hopkins), who keeps a copy of Michelangelo's CREATION OF ADAM in his office, it is the creation of a new species. To Bernard Lowe, it is a fascinating experiment to take his mind off personal tragedy. To the pompous writer Sizemore, it is a new artform as he composes narratives for the robots to carry out. To visitors William and Logan it is wish-fulfillment, whether it is William's search for love or Logan's vulgar thrill-seeking. To Theresa, it is just a business, and she complains that Dr. Ford's attempts to making robots more lifelike and unpredictable will eat into profits. The robots themselves, who are supposedly rebooted after each "show", aren't supposed to think or feel anything -- but they are starting to do so. The show has numerous artistic references -- Dr. Ford's Michelangelo painting, the logo parodying Da Vinci's "Vitruvian Man" drawing, Debussy's REVERIE, plus references to old-fashioned Westerns. It is refreshing to see a show where there is attention paid to character and ideas as well as action.

4/10

I don't understand this TV show got such a big ratings. It's really unique with good soundtracks, but very confusing, unrealistic & repetitive. There are lots of things you might have questions which aren't answered & it gets more & more confusing especially with flashbacks, which I hate. Eventually it gets boring as well with same stories, with same characters who won't die. So many flashbacks, that sometimes you don't understand which scene is real & which past... I think this TV show is very overrated.

—/10

If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com Original Review (based on the season's first four episodes handed to press) HBO hit a massive fail with the final season of Game of Thrones, but their quality regarding TV shows didn't seem to suffer from that. Westworld is one of HBO's biggest/best series, and in my opinion, it's the one that currently occupies the throne that GOT ruled for years. Jonathan Nolan and Lisa Joy created an extremely complex narrative, filled with mind-blowing twists, and truly remarkable character-building. Season three promised to be totally different, having in mind last season's game-changing finale, so expectations are undoubtedly very high... While it's true that Westworld packs jaw-dropping twists, the previous seasons differ from one another concerning this aspect. In season one, the twists serve the story, but in the second one, it felt like the story was serving the twists. This resulted in a few "less great" episodes due to the loss of tension and of well-balanced pacing, occasionally losing the interest of its viewers. In addition to this, most twists were so foreshadowed that the last few episodes lacked that powerful punch to knock us out. Season three goes back to basics. Last season's finale works almost like a reboot of the series regarding its environment, rules, and even characters. Most of the series is set in the real world so far, but there are a few sequences in familiar places. Dolores' plan seems simple, but since this is Westworld, the last half of the season will probably provide a few surprises, so keep your eyes wide open. I can't really delve into what each character is doing, but according to the trailers, writing that Bernard and Maeve have an essential role in this season shouldn't come as a shock. Both possess two very intriguing arcs, and I'm definitely interested in knowing how they will connect to Dolores' storyline. Aaron Paul's Caleb doesn't have that much screentime in the first four episodes. Nevertheless, he receives a well-written backstory, and his subplot not only tells the audience everything about him, but it also shows how the real world works. My biggest compliment to the first half of this season is about each episode's structure. Every single episode starts and ends with something impactful. Each time I started one, I was instantly captivated by what was happening, and every ending left me with an extreme curiosity to watch the next one. Fortunately, I had the "next episode" button, but it will definitely be interesting to see how fans will react to weeks of waiting for the next (great) episode. Throughout each chapter, the story flows naturally without those confusing, exaggerated, twistful narratives of season two. So far, it's a pretty straightforward main plot, but the unsolved mysteries still carry that aura of unpredictability, which makes season three a perfect structure to deliver a phenomenal, shocking finale. The acting continues to be top-notch with everyone just giving their all. So far, my standouts are Tessa Thompson (Charlotte Hale) and Evan Rachel Wood. Ed Harris (William) also delivers an outstanding display, but the two women are unbelievably good, especially Thompson. Technically, the episodes were still a work in progress, but the production and visual quality of HBO are impressive as always. All in all, Westworld returns with a perfect season's structure to blow every fan's mind away once again. The real world looks incredible, every character gets a very intriguing story, but the first and last few minutes of each episode are absolutely fantastic. Each chapter instantly grabs the viewer's attention, and the ending leaves everyone craving for the next episode. Tessa Thompson is the absolute standout, but Evan Rachel Wood continues to prove her impressive acting skills. Aaron Paul should have more screentime in the last half of the season, but so far, both he and Caleb are pretty great. Excellent pacing, brilliant tension-building regarding the central mystery, and wonderfully-written dialogues. Four episodes, nothing truly negative to point out. Hoping for a second-half as great or better than the first.

—/10

If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com **Original Review (based on the season's first four episodes handed to press)** HBO hit a massive fail with the final season of Game of Thrones, but their quality regarding TV shows didn't seem to suffer from that. Westworld is one of HBO's biggest/best series, and in my opinion, it's the one that currently occupies the throne that GOT ruled for years. Jonathan Nolan and Lisa Joy created an extremely complex narrative, filled with mind-blowing twists, and truly remarkable character-building. Season three promised to be totally different, having in mind last season's game-changing finale, so expectations are undoubtedly very high... While it's true that Westworld packs jaw-dropping twists, the previous seasons differ from one another concerning this aspect. In season one, the twists serve the story, but in the second one, it felt like the story was serving the twists. This resulted in a few "less great" episodes due to the loss of tension and of well-balanced pacing, occasionally losing the interest of its viewers. In addition to this, most twists were so foreshadowed that the last few episodes lacked that powerful punch to knock us out. Season three goes back to basics. Last season's finale works almost like a reboot of the series regarding its environment, rules, and even characters. Most of the series is set in the real world so far, but there are a few sequences in familiar places. Dolores' plan seems simple, but since this is Westworld, the last half of the season will probably provide a few surprises, so keep your eyes wide open. I can't really delve into what each character is doing, but according to the trailers, writing that Bernard and Maeve have an essential role in this season shouldn't come as a shock. Both possess two very intriguing arcs, and I'm definitely interested in knowing how they will connect to Dolores' storyline. Aaron Paul's Caleb doesn't have that much screentime in the first four episodes. Nevertheless, he receives a well-written backstory, and his subplot not only tells the audience everything about him, but it also shows how the real world works. My biggest compliment to the first half of this season is about each episode's structure. Every single episode starts and ends with something impactful. Each time I started one, I was instantly captivated by what was happening, and every ending left me with an extreme curiosity to watch the next one. Fortunately, I had the "next episode" button, but it will definitely be interesting to see how fans will react to weeks of waiting for the next (great) episode. Throughout each chapter, the story flows naturally without those confusing, exaggerated, twistful narratives of season two. So far, it's a pretty straightforward main plot, but the unsolved mysteries still carry that aura of unpredictability, which makes season three a perfect structure to deliver a phenomenal, shocking finale. The acting continues to be top-notch with everyone just giving their all. So far, my standouts are Tessa Thompson (Charlotte Hale) and Evan Rachel Wood. Ed Harris (William) also delivers an outstanding display, but the two women are unbelievably good, especially Thompson. Technically, the episodes were still a work in progress, but the production and visual quality of HBO are impressive as always. All in all, Westworld returns with a perfect season's structure to blow every fan's mind away once again. The real world looks incredible, every character gets a very intriguing story, but the first and last few minutes of each episode are absolutely fantastic. Each chapter instantly grabs the viewer's attention, and the ending leaves everyone craving for the next episode. Tessa Thompson is the absolute standout, but Evan Rachel Wood continues to prove her impressive acting skills. Aaron Paul should have more screentime in the last half of the season, but so far, both he and Caleb are pretty great. Excellent pacing, brilliant tension-building regarding the central mystery, and wonderfully-written dialogues. Four episodes, nothing truly negative to point out. Hoping for a second-half as great or better than the first.