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Phim lẻ

Tiếng Than

The Wailing

7.4 | 156 phút • 2016 • Kinh Dị • Bí Ẩn

Nội dung

Tại một ngôi làng heo hút, mọi chuyện mở đầu bằng một vụ thảm sát dã man trong một gia đình. Người vợ bị cứa cổ còn người chồng như tê dại, thẫn thờ bất động với cơ thể nổi đầy lở loét. Anh nhân viên cảnh sát miền quê Jong Goo vốn chỉ quen với chuyện ngồi bàn giấy, đọc truyện tranh lần đầu tiên phải chứng kiến những hiện trường giết người cực kỳ rùng rợn. Đỉnh điểm là khi cô con gái nhỏ của anh bắt đầu có những biểu hiện lạ, trở nên hung hăn, thèm ăn và cứ chực chờ gào thét. Mọi nghi ngờ đều đổ dồn vào một người đàn ông Nhật Bản bí ẩn sống trong rừng với lời đồn đại rằng đó là một kẻ hút máu. Gây sợ hãi nhưng đặc biệt, phim gần như không sử dụng jump-scare. Toàn bộ nỗi sợ được hình thành từ cái không khí u ám, buồn tẻ cùa vùng quê miền núi mưa dầm triền miên. Cùng với đó là sự đa nghi của con người vào những kẻ bí ẩn và cả... ma quỷ. Với The Wailing, nỗi sợ lớn nhất chính là nỗi sợ vào thứ mà ta không thể &quot;điểm mặt gọi tên&quot;.

#daughter#small town#police#investigation#exorcism#possession#murder#priest#rural area#curse#shaman#zombie#demon#shrine#occult#ghost#gluttony#shamanism#folk horror#acupuncture#divination#ambiguous

Thông tin sản xuất

May 12, 2016

Ngày phát hành

$10,951,000

Ngân sách

$49,851,770

Doanh thu

🇰🇷

South Korea

Region (KR)

🇺🇸

United States of America

Region (US)

Fox International Productions

Fox International Productions

US

Ivanhoe Pictures

Ivanhoe Pictures

US

Side Mirror

Side Mirror

KR

20th Century Fox Korea

20th Century Fox Korea

KR

Đạo diễn

cast.name

Na Hong-jin

Female

Diễn viên

cast.name

Kwak Do-won

Jong-goo

cast.name

Hwang Jung-min

Il-gwang

cast.name

Chun Woo-hee

Moo-myeong

cast.name

Jun Kunimura

The Stranger

cast.name

Kim Hwan-hee

Hyo-jin

cast.name

Heo Jin

Mother-in-Law

cast.name

Jang So-yeon

Jong-goo's Wife

cast.name

Kim Do-yoon

Yang Yi-sam

cast.name

Cho Han-chul

Detective

cast.name

Son Kang-gook

Oh Sung-bok

cast.name

Park Seong-yeon

Kwon Myung-joo

cast.name

Bae Yong-geun

Police Officer

cast.name

Kim Ki-cheon

Police Box Chief

cast.name

Yoo Soon-woong

Police Station Chief

cast.name

Lee Yong-nyeo

Jak-boo's Mother

cast.name

Hwang Seok-jeong

Merchant

cast.name

Moon Chang-gil

Doctor

cast.name

Lee Jung-eun

Deok-gi's Wife

cast.name

Jeon Bae-soo

Deok-gi

cast.name

Jo Yeon-hee

Bar Woman

cast.name

Lee Sun-hee

Byeong-gyoo's Wife

cast.name

Kim Chun-gi

Oriental Doctor

cast.name

Kim Ah-ra

Dermatology Nurse

cast.name

Choi Kyo-sik

Police

cast.name

Kil Chang-gyu

Park Choon-bae

cast.name

Lee In-chul

Father

cast.name

Jung Mi-nam

Heung-guk

cast.name

Song Won-yong

Deok-gi's Store Customer


Trailer


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International Critic Reviews

5
8/10

**A father's struggle to see his daughter to get well.** A new film from the writer, director of 'The Chaser' and 'The Yellow Sea'. This time its a horror-thriller that focused on a rural police officer who witnesses a series of strange events escalating fears among its people. The original title was 'Goksung', which means the name of the village where this story takes place. This film is specially for those who like Korean films. But I'm sure that everyone would enjoy it equally. Very typical Korean film yet an engaging theme and thrilling, particularly towards the final quarter. The opening, and almost the first act were like a black comedy. That does remain same after sometime. Because they wanted to give an impression what kind of person is this story's lead man. He's a cop, but feared of supernatural stuffs. So one day, he gets an early morning call to head where a family was slaughtered by one of its members. In his small village, with a small population, events like this are very rare, but when another similar incident was reported, ruled out what it was considered, but something else beyond humans. After the strange dreams, he comes to know his family too got affected by it, particularly his young daughter. Followed by when it gets serious issue, the family decides to bring in a shaman and so the ceremony begins to free her from whatever possessed. This is where the film turns more aggressive in revealing following event with twists and turns. The rest of the film should be watched to know how it all ends. The first thing was the film length. It was too long, nearly 150 minutes, but the screenplay filled with many enthralling scenes and dialogues. So I don't think sitting for that long would be an issue for most of the people. Surely you will be on your seat edge most of the time on your watch. Good story, but very confusing. I mean not puzzling way, but the events and its characters, especially the conclusion which is not exactly a perfect one with proper detail. So you might look for some clarifications after watching the film. > "If you go fishing, do you know what you'll catch? He's just fishing. Not even he knows what he'll catch." The concept was a little confusing like what kind of horror is this. At one stage there comes a zombie, but it follows right after an exorcism on a girl possessed by a ghost. The writer used the time as long as he wants to develop them. So the narration was slow, but very steady on its direction going deep. If you are good at Korean films, the style they make, you might predict some of the scenes correctly. Like I said the final few minutes might confuse you, but really well done part if you understand that clearly. The film characters wise, I liked how it all connected at the end. But as a story, the solution did not seem right. I think not the fitting one or more convincing. I know who would you root, I mean most of you back what character, so from that perspective, feels it compromised a bit after put up a stern fight with what they had believed. I liked how culturally this story was narrated. I mean as its set in a small village, the ceremonies to fight the evil spirit was conducted traditional way, not the western style, except it opened with a quote from the bible. The actors were perfect, particularly I liked where it was shot. A fine location to mix horror and cop themes. The suspense keeps the film alive, but you won't always looking at that, because the theme expands quite bigger than you expect. There are some unexpected turns, you might find yourself scratching your head for how deep it could go. Don't worry, in the end, it all comes together, or maybe watching it twice could help you with that. As I said the runtime might not favour you for the second viewing. Besides, pay a good attention while watching it for the first time, then you will get everything. Particularly if you are an animal lover, that's a biggest clue you could get in this film. I think it will be one of the best horror you would find around the world this year. It might get remade elsewhere, but the chances are less and it could remain as one of the Korean classics in the line of many others like 'Memories of Murder'. You don't have to be a Korean film fan or this director's, but if you do, surely you will have an advantage in understanding it clearly and like it more than the others. Definitely it is one of the best Korean films, but I don't think so a must see, not according to me. Though I won't conclude my review without recommending it to you. So I say watch it. _7.5/10_

5/10

Watching "The Wailing" is quite an undertaking. With a runtime of almost 3 hours this Korean Horror-Triller is a shear beast. Unfortunately I feel like pretty much more than half the runtime should have been cut. "The Wailing" circles around in a seemingly endless "who done it" or, to be more precise, "who is it" and even though the acting of our lead Do-won Kwak was not too bad, the dialogues bothered me constantly. I find myself repeating this for about every Asian movie and I assume it must be a cultural thing. I mostly find the talk so generic and pointless, that you could reduce some movies to 5-10 important lines and let them be quiet for the entire rest of the runtime. And this movie is no different. The best acting performance was delivered by Jun Kunimura, who not only presented a great play with mimic, but also refused to talk much (I bet he knew I would appreciate that). The cinematography was pretty good and I liked the realistic appearing gore effects. Not so much on the "possessed zombies" but therefore on the crime scenes and such. With that many pro's and con's "The Wailing" ends up somewhere in the middle and can therefore be labeled average.

10/10

I don't often use the word masterpiece. I've seen 1,040 films in my life, totalling 1,549 hours of filmography. There's maybe 7 I would label a masterpiece with full usage and definition of the word. The Wailing is the eighth film of one thousand and forty films I very willingly, gladly and without hesitation give the title of Masterpiece to. I'm not too big of a fan of Asian supernatural horror. Whilst I very much enjoy it and give most films a pretty decent average rating, I find a lot of them bleed into one another with similar plots and a very safe view on the supernatural. In Japan it tends to be curses that have people die in mysterious ways, South Korea, a cursed object that has people murder each other are the most common ones I come across. When I clicked The Wailing was supernatural, I prepared myself for a 6 or maybe 7 out of 10 movie that was good but wouldn't hold its own too well in the vast expanse of horror. The Wailing gave me some stunning frames. The cinematography in this is beautiful. The gore frames are gruesome, unadulterated and unapologetic. The ritualism and belief of South Korea are shown in their full glory without fear. Na Hong Jin doesn't shy away from racial tension between the Japanese and South Koreans with a slightly historical take with a beautiful twisting story that left me with my mouth gaping open but still feeling just slightly uncomfortable - something I believe Hong Jin did on purpose. I was shown acting that was so well done, no matter what I watch these actors in from now on, I will always know them from The Wailing. The varying supernatural aspects were unique, something that stunned me, unafraid to step out of genre restrictions and lead the way with something new. With a story line that is intriguing, stunning and just raw, this two and a half hour journey was worth watching. This is a film deserving of the hype that numerous other Asian horrors got but turned out to be predictable messed. THIS is the Korean horror of 2016, the one that should have lead the forefront of South Korean, or even Asian, horror into 2017. This is a film that shows prowess, promise and skill. Hong Jin treats us to such wonderful skills from not just himself but his script writer, his cast, his editing team, his make up team, etc, everyone involved. You can feel the passion and love and pure dedication that went into this movie. A full 10/10 is just not enough for this film. A twisting, numbing, horrifying masterpiece.

7/10

The runtime is a grueling 2 hours and 36 minutes. A warning that there is a good amount of **animal abuse**. The first half is pretty light hearted compared to the last half. It's a really befuddling piece. It's hard to tell who is bad or good and it feels like parts are gone over too frequently. If you like Korean films and portrayals of shamanism you will enjoy it for sure. As far as horror goes, it's not very scary in a slasher type of way and is more of a psychological one.

7/10

66/100 A bumbling police Sergeant finds himself well out of his depth while investigating the mass murder of families by one of the family members. And now his daughter seems to be possessed. A tense, unique story that grabs your attention and doesn't let go, despite a prolonged first half. Keeping our protagonist as confused as the viewer over what is right, wrong, good, evil, are there demons, ghosts, witches, until the final moments elevates the tension to overwhelming levels. Acting is exceptional and Hwan-hee Kim, as the daughter, is magnificent. Nice! -- DrNostromo.com