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Phim lẻ

Tiệc Ăn Chơi Đẫm Máu 1

The Slumber Party Massacre

5.6 | 76 phút • 1982 • Kinh Dị • Tâm Lý

Nội dung

Trish mời các bạn cùng đội bóng rổ trung học của mình đến nhà tham dự một bữa tiệc ngủ đêm không thể nào quên. Nào ngờ, một vị khách không mời mà đến đã bất ngờ đột nhập: một kẻ sát nhân tâm thần vừa vượt ngục mang theo chiếc máy khoan cầm tay nguy hiểm.

#slumber party#sleepover#cannabis#murder#neighbor#serial killer#slasher#drill#woman director#satirical#murder spree#lighthearted#amazing#classic

Thông tin sản xuất

September 10, 1982

Ngày phát hành

$220,000

Ngân sách

$3,600,000

Doanh thu

🇺🇸

United States of America

Region (US)

Santa Fe Productions

Santa Fe Productions

US

Đạo diễn

cast.name

Aaron Lipstadt

Female

Diễn viên

cast.name

Michele Michaels

Trish

cast.name

Robin Stille

Valerie

cast.name

Michael Villella

Russ Thorn

cast.name

Debra De Liso

Kim

cast.name

Andree Honore

Jackie

cast.name

Gina Smika Hunter

Diane

cast.name

Jennifer Meyers

Courtney

cast.name

Joseph Alan Johnson

Neil

cast.name

David Millbern

Jeff

cast.name

Jim Boyce

John Minor

cast.name

Pamela Roylance

Coach Jana

cast.name

Brinke Stevens

Linda

cast.name

Aaron Lipstadt

Pizza Boy

cast.name

Amy Aquino

Pam (uncredited)


Trailer

The Slumber Party Massacre Collection

Bộ sưu tập

3 phim

Tiệc Ăn Chơi Đẫm Máu 1

The Slumber Party Massacre

rating5.6 | 1982 • Kinh Dị • Gây Cấn • Hài

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International Critic Reviews

4
5/10

Routine early 80’s slasher in the Los Angeles burbs The original script was written as a parody, but that was changed when production began and it was shot as a serious slasher. Perhaps this explains why I busted out laughing on at least four occasions. The amusing pizza-eating scene and the refrigerator sequence are good examples. Despite this, “The Slumber Party Massacre” (1981) IS a serious slasher flick featuring the ‘driller killer’ and it’s pretty well-done. The problem is, there’s an unimaginative bluntness to the proceedings and the final act isn’t all that compelling (I found my mind wandering a couple of times). The female cast is decent, but not quite as good as in the Friday the 13th movies. Diane (Gina Smika Hunter, aka Gina Mari) is arguably the best, followed by the black chick. The movie is short & sweet at 77 minutes and was shot entirely in Los Angeles with the neighborhood sequences filmed in Venice. GRADE: C

10/10

Which one was this? I can't really remember. I do, however, know it was the movie where they hire a lot of women and require them all to take their clothes off. The difference is, this one was written by a feminist for reasons probably only she can explain. I recall a shower scene in there somewhere. And then I remember the women running around screaming in undies that are really only worn in the bedroom. Was there a plot? Not really, it was just an excuse for nudity and undies. But, you already knew all of that when you sat down to watch this. Because, honestly in film making, they aren't really trying to pass it off as anything other than an excuse to film young naked breasts and you don't really get anything but that. So, why are you reading this? You know exactly what this movie is about. You knew that before you even clicked on this review. But, at least the review is as honest as the movie. If you are expecting more than that, there is something seriously wrong with you.

6/10

Nothing real stand out about another slasher born out of the success of Halloween (and Friday the 13th, which was made for the same reason), but still watchable enough. **2.75/5**

5/10

The Slumber Party Massacre is the feminist slasher that laid the groundwork for everything Scream would later get praised for. Written by feminist author Rita Mae Brown, it takes the typical slasher formula—a half-naked woman, a deranged killer with a power drill—and flips it on its head. The phallic drill and gratuitous nudity are there, but in such an exaggerated manner that it becomes a brilliant satire on the male gaze. This isn't your average damsel-in-distress flick; it's a bloody middle finger to the male-dominated horror machine, with women banding together to fight back. The film's influence on later works is a testament to its enduring legacy and the knowledge it imparts to film enthusiasts.