Phim lẻ
Nội dung
Một bộ phim tiểu sử về diễn viên hài cuối cùng Andy Kaufman. Kaufman, cùng với vai trò của mình trên Taxi (1978), nổi tiếng vì là nhà vô địch đấu vật giao dịch tự tuyên bố của thế giới. Sau khi đánh bại phụ nữ lần nữa, Jerry Lawler (người tự chơi trong phim), một đô vật chuyên nghiệp, mệt mỏi khi nhìn thấy tất cả những điều này và quyết định thách thức Kaufman với một trận đấu. Trong hầu hết các trận đấu, cả hai người có, Lawler đều thịnh hành với Piledriver, đó là một động thái bằng cách tăng vọt một đối thủ đầu tiên vào thảm. Một trong những khoảnh khắc nổi tiếng nhất trong mối thù này là vào đầu những năm 80 khi Kaufman ném cà phê lên Lawler trên [Lỗi], đã vào Fisticuffs với Lawler và tiến hành Sue NBC.
Thông tin sản xuất
December 22, 1999
Ngày phát hành
$82,000,000
Ngân sách
$47,434,430
Doanh thu
Truy cập website
Website chính thức
United States of America
Region (US)
Germany
Region (DE)
Japan
Region (JP)
United Kingdom
Region (GB)

Mutual Film Company
US

Universal Pictures
US

Jersey Films
US
Cinehaus
US
West/Shapiro Productions
US
Đạo diễn
Miloš Forman
Female
Diễn viên
Jim Carrey
Andy Kaufman / Tony Clifton
Danny DeVito
George Shapiro
Courtney Love
Lynne Margulies
Paul Giamatti
Bob Zmuda
Vincent Schiavelli
Maynard Smith
Peter Bonerz
Ed Weinberger
Jerry Lawler
Himself
Gerry Becker
Stanley Kaufman
Leslie Lyles
Janice Kaufman
George Shapiro
Mr. Besserman
Budd Friedman
Himself
Pamela Abdy
Diane Barnett
Wendy Polland
Little Wendy
Matt Price
Meditation Student
Christina Cabot
Meditation Student
Richard Belzer
Richard Belzer
Michael Kelly
Michael Kaufman
Miles Chapin
SNL Assistant
Molly Schaffer
Maynard Smith's Assistant
Greg Travis
ABC Executive
Maureen Mueller
ABC Executive
Randall Carver
Himself
Brent Briscoe
Heavyset Technician
Ray Bokhour
Blue Collar Guy
Patton Oswalt
Blue Collar Guy
Conrad Roberts
College Promoter
Marilyn Sokol
Madame
Angela Jones
Hooker
Billy D. Lucas
Taxi Security Guard
Max Alexander
Harrah's Booker
Reiko Aylesworth
Mimi
Michael Villani
Merv Griffin
Heath Hyche
Merv's Guest Coordinator
Jim Ross
Wrestling Commentator
Gene LeBell
Foxy Jackson Referee
Bob Zmuda
Jack Burns
Brian Peck
Friday's Announcer
Caroline Rhea
Friday's Melanie
Mary Lynn Rajskub
Friday's Mary
Philip Lenkowsky
Friday's Tech Director
Armando Guerrero
Jerry Lawler Referee
Lance Russell
Ring Announcer
Stephen Sayadian
Stadium Photographer
Mews Small
TM Administrator
Fredd Wayne
Bland Doctor
Tracey Walter
National Enquirer Editor
David Koechner
National Enquirer Reporter
Jeanine Jackson
National Enquirer Reporter
Doris Eaton
Eleanor Gould
Sydney Lassick
Crystal Healer
Chuck Zito
Tony Clifton Biker
Danielle Burgio
New York City Rockette
Tara Nicole Hughes
New York City Rockette
Kelleia Sheerin
New York City Rockette
Melinda Songer
New York City Rockette
Eva Jeníčková
Tony Clifton Dancer
April Nixon
Tony Clifton Dancer
Lukasz Gottwald
SNL Band
Lenny Pickett
SNL Band
Hal Blaine
Harrah's Band
Judy Ben-Asher
Day Player (uncredited)
Jani Blom
Crazy Fan (uncredited)
Greg Bronson
Bar Patron (uncredited)
Edita Brychta
Pig-Tailed Wrestler (uncredited)
Tim Carr
Audience Member (uncredited)
Stacy Carter
Lawler's Girlfriend (uncredited)
Jeff Conaway
Self (uncredited)
Stephanie D'Abruzzo
New York City Rockette / Tony Clifton Dancer (uncredited)
Brian Durkin
Friday's Audience Member (uncredited)
Christina Engelhardt
Woman (uncredited)
Leon David Franco
Improv Heckler (uncredited)
Brian Habicht
Taxi Crew Member (uncredited)
Lisa Haley
Musician (uncredited)
Rich Hall
Club Patron (uncredited)
Marilu Henner
Self (uncredited)
Judd Hirsch
Self (uncredited)
Carol Kane
Self (uncredited)
Howard Kremer
Man (uncredited)
David Letterman
Self (uncredited)
Christopher Lloyd
Self (uncredited)
Norm Macdonald
Friday's Michael (uncredited)
Lorne Michaels
Self (uncredited)
Cheryl Rusa
Wrestler (uncredited)
Paul Shaffer
Letterman Band (uncredited)
Paul Sinacore
Comedy Store Patron (uncredited)
Brian Smyj
Letterman Security (uncredited)
Claude Stuart
Comedy Store Patron (uncredited)
J. Alan Thomas
Self (uncredited)
Nicholas Wilder
Waiter (uncredited)
Yaping
Clinic Receptionist (uncredited)
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Screens & Gallery















International Critic Reviews
Interesting movie tailored to Jim Carrey. In any case, probably more interesting for those who lived in US and in the time Andy Kaufman became a celebrity.

Great movie perfect for Andy Kaufman. Throughout the film you could barely tell that it's Jim Carey. It's like watching Andy Kaufman all over again.

I do vaguely recall Andy Kaufman in "Taxi" but the remainder of this rather zany depiction of his life just reminded me of a compendium of the "Goon Show" meets "Mork and Mindy". His sense of what was entertaining was eclectic to say the least, and his stand-up routines reminded me a little of Peter Sellers when he was using his exaggerated (European) accents to try and get a laugh. Nobody is much interested in these stage shows until talent agent George Shapiro (Danny DeVito) spots him and sees something original about his talents. Exposure on television followed, then his casting in the sitcom about New York's amiable mix of yellow cab drivers - the series that made the name of Danny DeVito too - before he embarked on a curious and one-sided career wrestling women. It was this latter profession that introduced him to male wrestler Jerry Lawler who tired of this and took to fighting him man-to-man. Needless to say, he's no match for the man with the "Piledriver" so has to resort to other ways to keep ahead of the ever changing entertainment game. His behaviour becomes more erratic and soon nobody with a television camera will touch the man... Jim Carrey is a natural at these quirky and over-the-top interpretations, and here is no different. He immerses himself into the role and manages to very successfully convey the sheer irritation factor of this man who had practically no talent but an ability to pander the "Emperor's New Clothes" theory to an audience who thought, initially, it better to laugh with the crowd than to scratch their heads and wonder what they were actually laughing at. On that front, Milos Forman has created a cleverly structured biopic of a man who was flawed and obsessed and who was fuelled by a market place desperate for something different. What I didn't feel here was any empathy for Kaufman. The industry is hard, cruel and unforgiving to the best of them and maybe it is a testament to the acting, but I genuinely felt this person hadn't the skills required to entertain at an holiday camp for the hard of hearing. Maybe it's more relevant to Americans who can better associate with their standard and style of 1970s television programming but as an observer from elsewhere this come cross as entirely self indulgent. Sorry.