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Tiếp nối một năm sau khi phần đầu kết thúc, trong khi Fleabag dường như đã thoải mái hơn với bản thân và quán cà phê nhộn nhịp mới của mình, gia đình cô lại dường như đang rơi vào vòng xoáy hỗn loạn hơn nữa. Vì chưa nói chuyện với em gái kể từ lần cuối chúng ta gặp cô ấy, Fleabag tái ngộ Claire tại bữa tiệc đính hôn của cha họ, nhưng hóa ra đó lại chẳng phải là một buổi lễ ăn mừng. Ở đó, cô gặp một linh mục Công giáo, người đã làm đảo lộn cuộc sống của cô… Phần 2 là một cuộc khám phá về mọi thứ làm nên con người chúng ta: tình yêu, tôn giáo, hy vọng và nỗi đau khổ.
Thông tin sản xuất
July 21, 2016
Ngày phát hành
Truy cập website
Website chính thức
United Kingdom
Region (GB)

Two Brothers Pictures
GB
Đạo diễn
Harry Bradbeer
Female
Diễn viên
Phoebe Waller-Bridge
Fleabag
Sian Clifford
Claire
Andrew Scott
The Priest
Tập phim Hoàn tất (6/6)

1. Episode 1
Fleabag celebrates Godmother and Dad’s engagement and is intrigued by their new Priest, but the evening comes to stormy end when old tensions resurface.

2. Episode 2
A counselling session elicits an uncomfortable truth from Fleabag, and she finds herself somewhere unexpected. Elsewhere, a chat with Claire brings some unwelcome news, Martin and Fleabag face off, and Jake wonders where Claire is.

3. Episode 3
Fleabag helps with an event at Claire's work which inevitably ends in disaster, but an introduction to Claire's colleague proves intriguing. A chance meeting with a stranger opens her eyes.

4. Episode 4
The priest takes Fleabag for some quiet reflection leading to an unexpected revelation. After a day spent looking back on painful memories, Fleabag searches for solace, only to find more trouble.

5. Episode 5
Claire has a crisis and turns to Fleabag for help, whilst a familiar face makes a reappearance at the cafe. Hilary makes a friend, Martin demands answers, and Godmother and Dad’s wedding hangs in the balance.

6. Episode 6
As the day of the wedding arrives, Jake wants to know where Claire is, and the priest upstages the bride. As secrets are revealed and decisions are made, will Fleabag find the ending she’s looking for?
Trailer
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6.6 | Hành Động • Phiêu Lưu

Fleabag (Phần 2)
Fleabag (Season 2)
8.7 | Hài Hước • Chính kịch

Fleabag (Phần 1)
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8.7 | Hài Hước • Chính kịch

Vladimir
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6.9 | Hài Hước • Chính kịch

Từ Belfast Tới Thiên Đường
How to Get to Heaven from Belfast
7.4 | Hài Hước • Chính kịch

Jack Whitehall: Làm cha qua lời của cha tôi
Jack Whitehall: Fatherhood with My Father
6.6 | Hài Hước

Cuộc chiến với bé bi
Man Vs Baby
6.8 | Hài Hước • Gia Đình

Thương Hiệu Nhượng Quyền
The Franchise
6.5 | Hài Hước

Những Điệp Viên Hết Thời (Phần 5)
Slow Horses (Season 5)
8.3 | Hài Hước • Hình Sự

Bed Friend: Đừng Đùa Với Lửa
Bed friend
7.5 | Tình Cảm • Hài Hước

Cutie Pie
Cutie Pie
7.5 | Tình Cảm • Hài Hước

Quá Đà
Too Much
6.3 | Hài Hước • Chính kịch

Đứa Bé
The Baby
6.3 | Hài Hước • Bí ẩn

Lang Bạt
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7.0 | Hài Hước • Chính kịch

Li Hôn (Phần 3)
Divorce (Season 3)
6.8 | Hài Hước • Chính kịch

Li Hôn (Phần 2)
Divorce (Season 2)
6.8 | Hài Hước • Chính kịch

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6.8 | Hài Hước • Chính kịch

Romesh Ranganathan: Người hoài nghi
Romesh Ranganathan: The Cynic
6.7 | Hài Hước • Tài Liệu

Trang Trại Clarkson (Phần 3)
Clarkson's Farm (Season 3)
9.0 | Hài Hước

Chị Em Lắm Chiêu (Phần 2)
Bad Sisters (Season 2)
8.2 | Hài Hước • Hình Sự

Tình Yêu Không Tên
When I See Your Face
6.0 | Tình Cảm • Hài Hước

Những Điệp Viên Hết Thời (Phần 4)
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8.3 | Hài Hước • Hình Sự

Sweetpea
Sweetpea
7.2 | Hài Hước • Chính kịch

Anh Jade: Người Trung Gian
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5.8 | Tình Cảm • Hài Hước
Screens & Gallery















International Critic Reviews

One should ask oneself a question: Why are western women being bombarded with propaganda that normalizes turning themselves into vulgar, unapproachable and toxic cartoon characters? What is the motivation to have women abandon all class or grace and turn themselves into vile truck drivers? It wasn't behavior you found appealing in men, so becoming what you loath isn't equality or progress. It's regression and it's nothing to be proud of.
Sorry I just had to write a review after seeing the irony of Timefox881's review. You do realize you are the only one insinuating that women should act a certain 'way,' which is....what? A saccharinely sweet and compliant 1950's housewife? Nothing about Fleabag tells the viewer that they should act in a particular way based on gender. Unfortunate that you missed the actual themes, nuances, and cinematic devices present in the show. Fleabag uses the fourth wall to treat the viewer as her friend, her confidant, and we witness all of the events of the show through that lens. We laugh with her, we judge her, we cringe with her, we cheer her on. She is a human being, neither wholly bad nor wholly good. She has growth too! Fleabag shows that no matter how shitty you may be, or may feel your actions are, you can always try to redeem yourself. You can apply for a loan to keep the cafe you and your friend opened from going under. You can choose not to continue doing things that have always negatively impacted your life in the past. You can choose to abandon your coping methods that you have outgrown. You can lose love but not lose hope. Of course, none of this without giving up your sense of humor. In two seasons, Phoebe Waller-Bridge managed to teach more lessons than most shows that drag on for eternity. A must watch for any human being who might want to learn a little more about themselves, and others, instead of making bizarre assumptions about a particular gender.

I'd heard so much about Fleabag that I had to see what all the fuss was about. On my first attempt, I managed to get through the first episode, then abandoned the effort because it simply didn't click. One year later, I tried again and sat through three episodes but it still didn't click. Is it a comedy or is it satire? Both of those genres often bring on guffaws, titters or even belly laughs. I experienced none of those and found the experience to be utterly tiresome. I could just about see the wood for the trees and what Fleabag was trying to convey, but in the end I just wanted the character to drop dead.