Phim lẻ
Nội dung
Một hoàng tử tuyệt vọng biến thành Dracula và lang thang bất tận qua thời gian, sống chỉ vì lời hứa tìm lại tình yêu của đời mình.
Thông tin sản xuất
July 30, 2025
Ngày phát hành
$52,000,000
Ngân sách
$42,404,858
Doanh thu
Truy cập website
Website chính thức
France
Region (FR)

EuropaCorp
FR

TF1 Films Production
FR

SND
FR

Kinology
FR
Actarus Productions
FR
Luc Besson Production
FR
Đạo diễn
Marie Usannaz-Joris
Male
Diễn viên
Caleb Landry Jones
Vlad / Dracula
Zoë Bleu Sidel
Elisabeta / Mina
Christoph Waltz
Priest
Matilda De Angelis
Maria
Ewens Abid
Jonathan Harker
Guillaume de Tonquédec
Dumont
David Shields
Henry Spencer
Bertrand-Xavier Corbi
Captain Targol
Raphael Luce
Clerk Simon
Anne Kessler
Old Lady
Romain Levi
Captain Wernus
Jassem Mougari
Sultan Mehmed II
Thalia Besson
Isabelle de Touraine
Haymon Maria Buttinger
Cardinal
Ivan Franěk
Elisabeta's Captain
Arben Bajraktaraj
Jonathan Coachman
Alex Andréa
Mother Corina
Affif Ben Badra
Gypsy Chief
Nicolas de Lavergne
Lieutenant
Jade Pedri
Isabelle's Friend #1
Iman Perez
Isabelle's Friend #2
Joséphine Berry
Bitten Woman #1
Sergio Cavero Egusquiza
Mermaid Fisherman
Noham Edje
Young Man Versailles
Egor Morozov
The Orderly
Joonas Makkonen
Romanian Soldier
Nikita Makkojev
Romanian Soldier
Stavroula Karatheodorou
Dancer
Trailer
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Screens & Gallery















International Critic Reviews
I rather like the fact that Luc Besson has gone off and done his own thing, with "Dracula". This film freshly blends fantasy, romance, action and a dash of horror. There are lots of creative, dramatic aspects to this story. Its Dracula writ-large. Where it falls down somewhat is its rather abrupt final scenes. There's no real build up, things just happen, leaving it feeling somewhat perfunctory. In summary, this is a creative, elaborately cinematic take, on the Dracula myth, with lots of lavish, over the top trappings. Certainly worth a look.

Unlike other recent adaptations that feel the need to lecture the audience, this film is a refreshing, unapologetic return to pure Gothic romanticism and high-stakes melodrama. By focusing entirely on the 400-year grief of Vlad and his search for Elisabeta, the film feels like a genuine piece of art rather than a product of a corporate checklist. The decision to transplant much of the action to a visually stunning, turn-of-the-century Paris adds a layer of aesthetic grandeur that differentiates it from every other version we've seen. Caleb Landry Jones delivers a career-defining performance, capturing a version of the Count that is equal parts terrifying predator and broken, soulful widower; his intensity makes you believe in the "oceans of time" he has crossed. Christoph Waltz is equally brilliant as the unnamed priest, bringing a grounded, cynical weight to the hunt that balances the more fantastical elements of the story. The production design is a masterclass in atmosphere—from the intricate, period-accurate costuming to the moody, chiaroscuro lighting—creating a world that feels lived-in and appropriately dark. It is a rare example of a director being allowed to follow his specific vision to its logical, tragic conclusion without interference. For anyone tired of "modernized" takes on classics, this is the definitive, faithful-in-spirit adaptation that proves Dracula is still the king of the monsters when handled with actual respect for the source's emotional core.