When watching films by Japanese animation powerhouse Studio Ghibli a number of adjectives come immediately to mind; imaginative, wholesome, and quirky, to name a few. And there is perhaps no more quirky Ghibli film than _Kiki's Delivery Service_. Fundamentally, _Kiki's Delivery Service_ is a coming of age film, telling the story of 13-year-old trainee witch Kiki who leaves home with her cat Jiji to continue her training. Arriving in a far-off European city, Kiki starts a flying delivery business, couriering goods around the town, which catches the eye of aviation-obsessed Tombo, who is immediately smitten by her flying. One of the big draws of Ghibli is the simplicity of the stories, making them hugely accessible for the audience. In Kiki's Delivery Service we must just accept that there are "some" witches and even though people will possibly never see one, they are not feared. In fact, the only fear in Kiki's Delivery Service comes from Kiki's own self-doubt. Considering, then, that Japan is far more conservative than the West - especially when it comes to family values - it is quite bizarre that one conservative Christian group in America took the decision to boycott the film solely for the purpose of glamorising witches. But really, Kiki being a witch is completely secondary to the film. In some ways it could be argued that Kiki being a witch is simply another excuse for director Hayao Miyazaki to view another Ghibli world from the sky, allowing his team of animators to draw some of the most beautiful landscapes in animation. In addition, it allows Kiki's comic foil to be a talking cat (who, in the English dub, is voiced by the instantly vocally recognisable Phil Hartman, who you may remember from such shows as _The Simpsons_, where he plays Troy McClure). As well as dominating most of the film's funnier moments, Jiji also depicts Kiki's transition from innocence. Despite all of this marshmallowy innocence, _Kiki's Delivery Service_ is still a quirk. The plot is littered with unanswered questions - what happened to the other flying witch who was returning home? - and the final act involving the dirigible is, frankly, too overdramatic and out-of-place with the rest of the down-to-earth storyline. Still, it is perfectly enjoyable, and while it isn't necessarily the first Ghibli I would recommend, it is still one that you should see.

With the moon shining brightly and the weather conditions perfect, thirteen year old "Kiki" announces to her family that it is time for her to mount her broom and set off as an independent witch for the first time! Full of trepidation, they all gather as she and her tiny back cat "Jiji" set off into the unknown. Squally weather and some geese are soon her companions as she is blown off course and forced to land in a (very Italianate looking) seaside town where her welcome isn't exactly warm. Indeed, all she gets for her troubles is teased by "Tombo" who espies her antics on her broom. Luckily, she steps in to help a local baker repatriate a baby's dummy and that gets her a roof, a bed and access to a telephone where she can put into action her plan to use her flying skills to deliver goods rapidly about town. What now ensues sees her struggle to master her own broomstick whilst embarking on a series of escapades that broaden her horizons and introduce her to new friends and challenges along the way. The story here is remarkably simple; there are relatively few twists and turns - but what we can enjoy here is the humanity of a delightfully presented story peppered with a little mischief throughout; some herring pies, nasty crows and even a stuffed cat! The persevering "Tombo" serves as an engaging foil for her shyness and airborne activities as his teenage courting takes them on his propellered bicycle on a mision to see a wrecked airship an there's a denouement that allows her to try to save the day. I'm so not a cat lover, but the characterful "Jiji" proves to be both a cuddly bundle of joy and also a reminder that "Kiki" is human too - a fact that she must recall if she is to thrive as a person. The charming simplicity of the scoring from Joe Hisaishi yet again supports the sweepingly detailed animated cinematography of her travels, and this is an effortless experience to sit back and enjoy - ideally on a big screen.