Phim lẻ
Nội dung
Looking for Eric là một bộ phim hài hước nói về tầm ảnh hưởng của những ngôi sao sân cỏ đối với những fan hâm mộ. Nhân vật chính của phim là một anh chàng tên Eric Bishop, một người đưa thư cuồng bóng đá tới mức “bỏ mặc” vợ con. Sau khi tự tử bất thành, anh ta bị ám ảnh rằng thần tượng Eric Cantona giúp đỡ anh, đưa cho anh những lời khuyên trong cuộc sống...
Thông tin sản xuất
May 27, 2009
Ngày phát hành
$11,057,648
Doanh thu
United Kingdom
Region (GB)
France
Region (FR)
Italy
Region (IT)
Belgium
Region (BE)
Spain
Region (ES)
Canto Bros. Production
Producer

Sixteen Films
GB

Wild Bunch
FR

Film4 Productions
GB

France 2 Cinéma
FR

BiM Distribuzione
IT

Les Films du Fleuve
BE

Tornasol Media
ES
Alta Producción
Producer
Đạo diễn
Ken Loach
Female
Diễn viên
Éric Cantona
Self
Steve Evets
Eric Bishop
John Henshaw
Meatballs
Lucy-Jo Hudson
Sam
Justin Moorhouse
Spleen
Matthew McNulty
Young Eric
Smug Roberts
Smug
Mick Ferry
Judge
Ryan Pope
Fenner
Trailer
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7.2 | Tình Cảm • Tâm Lý

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6.7 | Hành Động • Tâm Lý

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Screens & Gallery



International Critic Reviews

One minute he is telling us about seagulls and sardines, the next he is acting as a glorified counsellor - and that's when he's not helping Manchester United to rule the roost in the English Premier League. Eric is a multi-talented fellow, which is just as well as he has quite a task. It's super-fan "Eric" (Steve Evets) who is part of a dyed-in-the-wool group of postmen-fans of the club who lives with his stepsons "Ryan" (Gerard Kearns) and "Jess" (Stefan Gumbs) who have little respect for the man. Things all start to come to an head when the gullible "Ryan" gets himself involved with local hoodlum "Zac" (Steve Marsh) who gets him to hide a gun under the floorboards. When this is found some home truths have to be shared between these men - truths that lead to violence, a police raid and then maybe the best example of group participation I've ever seen on screen. It's got many of Ken Loach's usual hallmark views on the typical working class, but they don't take front and centre as prominently as in many of his more political films. This one comes across as more a critique on the dynamics of a family, and a largely male one at that, of community and of the almost tribal attitudes and loyalties that passionate following of a football club can engender. Evets handles his role well, especially in his scenes with his footballing icon that appear shot in such a fashion as to look like they are in the same room, sharing a drink or a cigarette, but also looking like they are not. It's Kearns who steals the show for me, though - his performance is engagingly visceral and at times quite touching. There's some gritty humour to be had here, too, and a little dig at those who gentrified football with their 4x4s and their season tickets at the expense of the ordinary fans. It's blunt and brutal, sensitive, funny and worth a watch.