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Nội dung
Hai trường tiếng Anh Chums thấy mình đang yêu ở Cambridge. Để lấy lại vị trí của mình trong xã hội, Clive đã từ bỏ tình yêu bị cấm đoán, Maurice (phát âm là "Morris") và kết hôn. Trong khi ở với Clive và người vợ nông, Anne, Maurice cuối cùng đã phát hiện ra sự lãng mạn trong vòng tay của Alec, người chơi game. Được viết từ nỗi đau cá nhân, đó là E.M. Câu chuyện của Forster về các điều khoản với tình dục trong độ tuổi Edwardian.
Thông tin sản xuất
September 18, 1987
Ngày phát hành
$2,600,000
Ngân sách
$2,438,304
Doanh thu
United Kingdom
Region (GB)
United States of America
Region (US)
Merchant Ivory Productions
GB

Cinecom Pictures
US

Film Four International
GB
Maurice Productions
GB
Đạo diễn
James Ivory
Female
Diễn viên
James Wilby
Maurice Hall
Hugh Grant
Clive Durham
Rupert Graves
Alec Scudder
Denholm Elliott
Dr. Barry
Simon Callow
Mr. Ducie
Billie Whitelaw
Mrs. Hall
Barry Foster
Dean Cornwallis
Judy Parfitt
Mrs. Durham
Phoebe Nicholls
Anne Durham
Patrick Godfrey
Simcox
Mark Tandy
Risley
Ben Kingsley
Lasker-Jones
Kitty Aldridge
Kitty Hall
Helena Michell
Ada Hall
Catherine Rabett
Pippa Durham
Peter Eyre
Rev. Borenius
Michael Jenn
Archie
Orlando Wells
Young Maurice
Alan Foss
Old Man on Train
Philip Fox
Dr. Jowitt
Breffni McKenna
Guardsman
Miles Richardson
Undergraduate
Helena Bonham Carter
Young Lady at Cricket Match (uncredited)
Matthew Sim
Featherstonaugh
Harriet Thorpe
Barmaid
Julian Wadham
Hull
Richard Warner
Judge
Jean-Marc Barr
French Colleague (uncredited)
Serena Gordon
Gladys Olcott (uncredited)
Trailer
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Screens & Gallery















International Critic Reviews

James Wilby is at his best here depicting the eponymous E.M. Forster character who takes rather a shine to his university colleague "Clive" (Hugh Grant). Of course not only is same sex fun illegal, it's looked upon very unfavourably by the Oxford set - even if most of them have had the odd dabble themselves. "Clive" is not really the commitment sort - he cares more for conforming and taking his well-heeled place in society, but "Maurice" seems more dyed-in-the-wool. His sexuality less fluid and his frustrations ever increasing. It's on a trip to see his friend and new wife "Anne" (Phoebe Nicholls) that he encounters their charming under-gamekeeper "Scudder" (Rupert Graves) and despite the differences in their social standing, at at some peril to his reputation, they embark on something that could just change both of their lives. Whilst the whole thing is set amongst the rarified environment of the English upper classes, it's still a potent reminder of life in a proscriptive society that though nothing of jail with hard labour for men caught with other men. There's a strong supporting cast, typical of these quality Marchant Ivory productions - Simon Callow, Billie Whitelaw and Judy Parfitt to name but three (I'm sure I saw Helena Bonham Carter in here too) and the look of the film - the settings, costumes and overall production design give it an authenticity and sheen. For me, the film belongs to Graves. His cheeky, well meaning and naive young character epitomising just what was wrong with the very fabric of a society that abhorred and punished his sexuality. With a swipe at the medical professional - and quackery in general - along the way, this whole thing is a classy and stylish assessment of a life that never, quite, feels real.