Phim lẻ
Nội dung
Sau khi chiếc tàu điện ngầm trật bánh rồi đâm vào một đường hầm bỏ hoang, một số hành khách phải tìm đường về nhà trong khi mối nguy hiểm lớn hơn đang rình rập trong bóng tối.
Thông tin sản xuất
January 5, 2023
Ngày phát hành
Singapore
Region (SG)

MM2 Asia Productions
SG

MM2 Entertainment
SG
Taipan Films
Producer
Đạo diễn
Thái Nguyên Đốc
Diễn viên
Jesseca Liu
Yi Ling
Andie Chen
Calvin
Peter Yu
Bo Seng
Patrick Lee
Nam
Alan Tan
Heng
Trailer
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Khá nguy hiểm
Pretty Lethal
5.8 | Hành Động • Kinh Dị

Bằng Chứng Sinh Tử
Mercy
6.2 | Hành Động • Viễn Tưởng

Quái Vật Dưới Gầm Giường
Dust Bunny
6.5 | Hành Động

Phi Vụ Ảo Thuật Gia
Magik Rompak
6.0 | Hành Động • Hình Sự

Trận Chiến Cuối Cùng
The Last Warrior
6.2 | Hành Động • Phiêu Lưu

Nắng nóng
Hotsunlight
4.6 | Hành Động • Chính kịch

Để sống
To Live
7.0 | Hành Động • Chính kịch

Đám đông đỏ
Red Mob
5.4 | Hành Động

chàng trai trâu
Buffalo Boys
5.7 | Hành Động • Chính kịch

Đảo Quái Vật
Monster Island
5.2 | Hành Động • Kinh Dị

Forbidden Kingdom
Forbidden Kingdom
5.2 | Hành Động • Phiêu Lưu

Circle Line
Circle Line
3.6 | Hành Động • Phiêu Lưu

Săn Đuổi Trên Không
Fight or Flight
6.4 | Hành Động

Những Thiên Thần Chiến Trường
Dirty Angels
4.5 | Hành Động • Chiến Tranh

Hố Địa Ngục
Superdeep
4.9 | Hành Động • Phiêu Lưu

Bạch Hổ
White Tiger
6.1 | Hành Động • Chiến Tranh

The Blackout
The Blackout
6.0 | Hành Động • Viễn Tưởng

Beyond Skyline
Beyond Skyline
5.3 | Hành Động • Viễn Tưởng

Siêu Chiến Binh
The Guardians
4.0 | Hành Động • Viễn Tưởng

Rambo 3: Gác Kiếm Không Thành
Rambo III
5.8 | Hành Động

Rambo: Hồi Kết Đẫm Máu
Rambo: Last Blood
6.1 | Hành Động • Kinh Dị

Valerian và Thành Phố Ngàn Hành Tinh
Valerian and the City of a Thousand Planets
6.4 | Hành Động • Viễn Tưởng

Héc-Quyn
Hercules
6.0 | Hành Động

Underworld
Underworld
7.0 | Hành Động • Kinh Dị
Screens & Gallery

International Critic Reviews

”The only love that I really believe in, is a mother’s love for her children.” - Karl Lagerfeld It’s about time I started catching up with all the Asian horror in 2023 and that led me to pick out Singapore’s _Circle Line_; a 1 hour 19 minutes, survival horror-thriller creature feature. I have been stuck on the London Underground once for maybe 3 minutes and let me tell you was that 3 minutes the longest of my life, staring into the darkness around the train, wondering what was out there, what might happen if we didn’t start moving soon, and then, blissfully, the train whirred on the tracks and that was my nightmare over. This film is pretty much what my brain created over those 3 minutes and wee woo this is my nightmare. Can we talk about Jesseca Liu’s acting here? Her character is astounding, and so, so brave and I am in awe watching how she so naturally plays the role of a mother. I don’t know how much the harrowing backstory was needed, but, it definitely served a good role of character development and understanding. The main four characters were remarkable, and I was really rooting for all of them, from the pit of my stomach. The dad as well did amazing in his role and I am just immensely amazed at what the actors managed to do with their script. There’s something about this that’s just so centric to family and familial beliefs that is just strangely stunning. Maybe it’s the fact I haven’t watched all that many Singaporian films and I’m just new to the themes and formats they use, but it really took my breath away. This being said, it isn’t the best movie; it’s a creature feature set in 2023 in underground train tunnels. It’s either going to be up your alley or not, as the par with most creature features. But for me? I loved this. I love the feeling of dread and horror, the emotional constipation between familial units, and more. I can see why people did not like the ending, but, I love the ending. If you watch this with more of a focus on “family within tragedy and disaster”, the film hits a little more, I think. Monster looked hella good (and looking at those rats, we know where the CGI budget went). Acting was pretty good, if not great, and I’m very interested in what J. D. Chua comes out with in the future. Very tense and very good, albeit, weak in some areas and needed a bit of a tidy up. But, that promises more for the director and script writer(s) in the future, in my opinion, and it’s got me excited for future movies.