Wow, what a wild ride. You’re constantly on the edge of your seat. If you’re looking for a cozy, relaxing night at the movies, forget it.. your chair will be yanked out from under you. There’s no room for comfort or rest here. It’s masterful.

Phim lẻ
Nội dung
Mười sáu năm sau ngày kẻ thù tàn bạo bị xóa sổ, nhóm cựu chiến sĩ cách mạng buộc phải tái hợp để giải cứu con gái của một đồng đội thân thiết trong nhóm, đối mặt với hiểm nguy mới để bảo vệ di sản tình nghĩa và lý tưởng của họ.
Thông tin sản xuất
September 23, 2025
Ngày phát hành
$175,000,000
Ngân sách
$209,377,100
Doanh thu
Truy cập website
Website chính thức
United States of America
Region (US)

Warner Bros. Pictures
US
Ghoulardi Film Company
US

Domain Entertainment
US
Đạo diễn
Adam Somner
Female
Paul Thomas Anderson
Female
David Barrett
Female
Martin Brest
Female
Matthew Heineman
Female
Diễn viên
Leonardo DiCaprio
Bob
Sean Penn
Col. Steven J. Lockjaw
Chase Infiniti
Willa
Benicio del Toro
Sensei Sergio St. Carlos
Regina Hall
Deandra
Teyana Taylor
Perfidia
Wood Harris
Laredo
Tony Goldwyn
Virgil Throckmorton
D.W. Moffett
Bill Desmond
Paul Grimstad
Sommerville
Dijon
Talleyrand
Kevin Tighe
Roy More
John Hoogenakker
Tim Smith
Eric Schweig
Avanti
April Grace
Sister Rochelle
Jim Downey
Sandy Irvine
Alana Haim
Mae West
Shayna McHayle
Junglepussy
Brooklyn Demme
Sober Rick
Starletta DuPois
Grandma Minnie
Peter N. Lyas III
Bank Security Guard
Steven Knoll
Military Man
Mickey Giacomazzi
Deandra's Van Driver
Jena Malone
Greeting Code (voice)
Dan Chariton
Comrade Josh
Jon Beavers
1776 James
Anthony Xzavier Estrada
Thief (uncredited)
Juan Diego Aires
Young Immigrant
Mario Valdez
Courthouse Security (uncredited)
Jose Rico
Immigrant
Trailer
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Screens & Gallery















Wow, what a wild ride. You’re constantly on the edge of your seat. If you’re looking for a cozy, relaxing night at the movies, forget it.. your chair will be yanked out from under you. There’s no room for comfort or rest here. It’s masterful.
FULL SPOILER-FREE REVIEW @ https://movieswetextedabout.com/one-battle-after-another-movie-review-a-star-is-born-in-one-of-the-years-best-and-most-important-films/ "One Battle After Another is a technical feat, a movie with brilliant performances and a thematic density that can only be truly processed after multiple viewings over time. It's a chaotic, intense, and surprisingly hilarious examination of the state of America, the weight of history, and how the fight for a better future is passed from one generation to the next. The entire cast is phenomenal, but newcomer Chase Infiniti is a true revelation, delivering a captivating and emotionally powerful performance that perfectly embodies the theme of generational hope. While I don't share the hyperbole generated by the initial reactions, it's clearly one of the most important and well-made films of the year. Driven by a masterful score and a sharp script from Paul Thomas Anderson, where every detail matters, it's a dense story about the battles we cannot escape and the family we fight for. Rating: A-
The undisputed film of the year has only been in theaters for 4 days, yet it has already captivated audiences and critics alike, and not without reason. Amidst hundreds of mediocrities released every year, a film finally emerges that emphatically has something to say. And indeed, at the most suitable social and historical moment. The film narrates the lives of people who chose to take action against the man-eating capitalist system of the 21st century, which inevitably degenerates into a fascist regime when reactions grow. And primarily, it focuses on the consequences these individuals face from the vengeful state apparatus, which sweeps away anything and anyone who dares to oppose it. The film was released in theaters on September 26, 2025, before the first year of Donald Trump's second presidential term was even completed, and more than 3 years before the next presidential elections. Paul Thomas Anderson (PTA), writing and directing One Battle After Another, takes a clear political stance on what is happening in the United States and globally. The film may take place in the US, but it does not focus on specific individuals, not even as institutions, and thus could refer to any country where democracy is ailing. The mastery of direction and the musical score is such that time flows relativistically quickly for the viewer, making the nearly 3-hour duration evaporate before you realize you’ve entered the theater. From a directorial perspective, new pages of cinematic history have been written, culminating in the car chase on the hilly Texas Dip highway of Borrego Springs. The performances of the exceptional cast are all very good, without any one standing out as Oscar-worthy. Sean Penn once again showcases his talent in the role of the villain, possessing the unique gift of becoming truly unlikable to the viewer in such roles (see Carlito’s Way, etc.). However, the essence and power of the film is undoubtedly its political message. Through the vehicle of fiction, Paul Thomas Anderson releases his political manifesto, which leaves no room for misinterpretation. From the title of the film to the shot of DiCaprio watching the film "The Battle of Algiers" by Gillo Pontecorvo, the message is clear. When democracy and individual freedoms are under attack, citizens must take action. In contrast, however, to "The Battle of Algiers," where we observe, in part, historical events that took place during Algeria's liberation struggle against French imperialism, in Anderson's film we become spectators of events that have not yet occurred, at least not in the United States. Yes, protests, and indeed massive ones, have taken place and are happening more frequently lately. But the film One Battle After Another does not propose sit-ins and placards as a solution. On the contrary, it primarily serves as a manual on the "how:. The "when", is still unknown. One thing is certain. American society is boiling. And some are preparing. On both sides.
A group of would-be revolutionaries in the USA storm an immigration centre and whilst they manage to free many of it’s captives, their leader “Perfidia” (Teyana Taylor) manages to make quite an impression on it’s commander “Lockjaw” (Sean Penn). Sadly for her though, she doesn’t remain free for very long afterwards but in that meantime she and fellow rebel “Bob” (Leonardo DiCaprio) have managed to have a baby. Spool on and now she is a teenager living quietly with her dad, entirely unaware of her dangerous provenance. “Lockjaw” has no intention of forgetting the slight paid to him, and when he cottons on to their location he sends in his heavies. She is apprehended, he escapes, and the rest of this follows his adventures as he tries to mobilise his old friends and rescue his daughter “Willa” (Chase Infiniti). Now this looks great, the pace is pretty break-neck and the dialogue is quick-fire and frequently quite pithy as we merge a series of scenarios that reminded me of the “A-Team”. DiCaprio looks like he is enjoying himself, as does Penn, but both of their characters and the underlying conspiratorial plot are disappointingly undercooked as the adventure builds and to it’s high octane conclusion. Does it really need to be so long? I’m not so sure. It does come across as a little disjointedly episodic at times but it is also politically bang-on (depending on your perspective) as it capitalises on currently salient points around immigration, corporatisation and militarisation. I didn’t love it and I do think it has been over-hyped, but it’s still a solidly entertaining watch.
A pretty dang good movie. Feels like it takes place in a not too distant american future, and in some ways feels like it takes place in the same universe as civil war. But that's not to say it bears any resemblance to that movie. The action and manic energy of this movie had me locked in from the beginning. And bonus points for putting me in the holiday spirit thanks to the Christmas Adventurers club! Viva la revolution!