Phim lẻ
Nội dung
Một người đàn ông rất đẹp trai tìm thấy tình yêu của đời mình, nhưng anh ta bị tai nạn và cần phẫu thuật để tạo lại khuôn mặt sau khi nó bị biến dạng nghiêm trọng.
Thông tin sản xuất
December 19, 1997
Ngày phát hành
$2,900,000
Ngân sách
$370,720
Doanh thu
Spain
Region (ES)
France
Region (FR)
Italy
Region (IT)

Sogetel
ES
Las Producciones del Escorpión
ES

Les Films Alain Sarde
FR

Lucky Red
IT
Đạo diễn
José Luis Cuerda
Female
Diễn viên
Eduardo Noriega
César
Penélope Cruz
Sofía
Chete Lera
Antonio
Fele Martínez
Pelayo
Najwa Nimri
Nuria
Gérard Barray
Duvernois
Jorge de Juan
Encargado L.E.
Miguel Palenzuela
Comisario
Pedro Miguel Martínez
Médico Jefe
Ion Gabella
Recluso paranoico
Tristán Ulloa
Camarero
Pepe Navarro
Presentador T.V.
Fanny Gautier
Secretaria
José Ángel Egido
Policía
Trailer
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Screens & Gallery















International Critic Reviews

**An excellent film where dream, reality, illusion and fantasy mix.** In this film, we follow the ordeal of César, a young Spaniard who has everything a young man could want: a comfortable life, money, friends and all the women he wants (although he avoids serious commitments as much as possible). During a birthday party, in which he tries to escape his most recent case, he meets Sofia, a seductive and intelligent young woman who knows how to captivate him. However, his whole life is ruined when he has a car accident, intentionally provoked, and his face is completely disfigured. If the psychological, mental and physical difficulties caused by such an injury could be enough for a movie script, Amenábar goes even further by mixing this with various considerations about dreams, illusion and memory. Brutally intense, the film goes round and round, and from a certain point, it's hard for us to understand what is true and what is a dream or illusion of the protagonist. The ending is truly disconcerting. Although the film does not seem very expensive, it has a good cast. Eduardo Noriega does a good dramatic job and is an excellent protagonist. Penélope Cruz, undoubtedly better known as she “made the leap” into American cinema, is still a very young and beautiful actress at this stage, and she is genuine in the work she develops. Chete Lera and Fele Martínez give good support and effort in their roles, and even Najwa Nimri, the supposed villain of the film, is very good at the task given to her. A good part of the story told comes to us through the flashbacks that accompany César's report to his psychiatrist, and this resource was very well used and very effective. The film mixes well the themes it addresses, balancing very well in all of them and the dialogues are really good, they breathe naturalness and authenticity. Good sets, good costumes and the good choice of shooting locations helped a lot to make the film more visually beautiful, while the cinematography knew how to make the best use of the intense sunlight of the Spanish capital and the beautiful shades of blue in the sky, which contrast sharply with the dense penumbra that the main character seems to prefer.