Sự kiện xảy sau phần phim Người Nhện: Không còn nhà (2021) và mùa đầu tiên của Loki (2021), Bác sĩ Stephen Strange đã sử dụng một phét thuật bị cấm và mở ra cánh cổng dẫn tới đa vũ trụ, vô tình dẫn đưa một biến thể hắc ám của Stephen Strange khác đến vũ trụ mình - mối đe dọa lớn mà Dr. Strange có thể phải đối đầu hoặc hợp sức chống lại một cái ác khác, đồng hành cùng Strange còn có Wong và Wanda Maximoff cùng với nhân vật mới American Chavez.
#magic#superhero#based on comic#alternative reality#aftercreditsstinger#duringcreditsstinger#marvel cinematic universe (mcu)
DOCTOR STRANGE là câu chuyện về bác sĩ Giải Phẫu Thần Kinh tên Stephen Vincent Strange. Cuộc đời anh thay đổi từ sau một tai nạn xe hơi khủng khiếp. Sau tai nạn đó, Stephen nhận ra mình có những năng lực bí ẩn cũng như biết thêm về thế giới ma thuật huyền bí. Từ một vị bác sĩ bình thường, Stephen Strange dần nhận được nhiều siêu năng lực để cứu trái đất khỏi những tai họa.
_Doctor Strange in the Multiverse of Madness_ is dark, silly, and fan pleasing. The film is at is most bewitching when Sam Raimi can let his horror roots be showcased. It will satisfy horror and superhero film fans alike, but would have and could have been even better if Raimi was allowed to dive even further into the horror genre. Be sure to stay after the credits, as well. There are two after credits sequences with the final one being so absurdly on the nose for Sam Raimi that it may be the most entertaining part of the film.
**Full review:** https://hubpages.com/entertainment/Doctor-Strange-in-the-Multiverse-of-Madness-2022-Review-Sam-Raimi-Finally-Brings-Horror-to-the-MCU
7/10
Rewatched for the Once Upon a Franchise podcast. Listen to the full episode here: https://open.spotify.com/episode/23iTZkYlM2ujCD1OW87xut?si=3c6f3dccb9df4a7d
Rating: B+
DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS works slightly better on a rewatch because the flaws I had on first watch weigh less than they used to and Sam Raimi's direction does wonders. His horror-soaked style, the Strange vs. Strange fight, Wanda's siege on Kamar-Taj, Danny Elfman's gothic score, and Elizabeth Olsen's performance make this one of the most visually unique films in the MCU. But the messy connection to WANDAVISION, the underwritten America Chavez, and the CGI-heavy seams of a turbulent COVID-era production keep it from being the movie it could have been. As Wong says, "Sometimes I do wonder of my other lives. Yet I remain grateful in this one... even with its tribulations." I do wonder what this could have been if everyone had been aligned, but I remain grateful for what we got: a pretty damn good film on its own terms.
7/10
Whilst I really did quite enjoy this - and it was great to be in a busy cinema again - it's really more of a testament to the skills of the VFX guys rather than to any of the writers. The story is really pretty thin with the engaging and confident Benedict Cumberbatch joining forces with the charismatic and feisty young Xochitl Gomez' "America" - a young lady who has been appearing in his dreams. Turns out, she can cross from one universe to another - and soon both are being sought by the mighty Elizabeth Olsen's "Wanda Maximoff" (surely a "Bond" girl?) who wants control of time so she can get back to her lost family, yada yada... Benedict Wong features sparingly, but always adds a little value as the "Sorcerer Supreme" and there are a few cameos from Charlize Theron and Sir Patrick Stewart to help prop up what is, admittedly, a pretty meagre second half. I think this multiverse strand could provide Marvel with the gift that keeps on giving, but they have got to tighten the pace up - two hours for this was just too long; the plot doesn't sustain it and though the combat scenes are nothing to the length in the "Avengers" movies; there is still far too much slack here. It does look and sound great on a big screen, though, and I am now warming to the star in the role (and his intuitive flying cape). Fun, but flawed.
5/10
Obviously this film came loaded with the usual great special effects and endless battle scenes that I guess are needed to draw and hold your average superhero movie fan. Not so much of the Marvel wit and humor that are more like to hold me, the anything but average fan, or rather,not a fan at all, though I do like science fiction.
For me, the 500 pound elephant in the room that cast a shadow over the entire movie was the villain. Now if you haven’t seen the film yet this may count as a spoiler, though it is revealed fairly early on. But the former heroine turned evil one is a woman taken over by the dark side. But what got me was her motive. Not to take over the world or the universe or the multiverse, but rather because she wanted to be a mommy to kids she lost along the way, or never had, or something. Billions of people in multiple universes died because she didn’t want to adopt.
It seems like inserting herself into one universe might have been enough for you or me, but I suppose she wanted more options open if something went wrong with the first kids whose mother she killed (or is it her alternate self?) to get hold of. Dr. Strange even asked about it once, and she blithely explained that if her new old kids got terribly sick, she could find the cure for anything in other universes. She is the perfect mom, doing anything for her kids; well, except for providing moral leadership and showing them the path to be a good person who helps others and contributes to the world around them. Yeah, do as I say, kids, not as I do.
Whoever created the evil dark book that took over her personality would have been disappointed that it was used merely to seed a new family.
—/10
This is a good movie. It's has Balderdash Crumplebutter and he's a good actor. He doesn't afraid to have grey hair in his beard and he can do **magic** to the bad guys to win.
> Do or do not, magic is not about trying.
Love it!!
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