Funny story done to fit on Bill Murray's shoes. It is good enough and with a moral for the family but I don't get it what this is such a famous movie.

Phim lẻ
Nội dung
Groundhog Day (Ngày Đầu Xuân) là một bộ phim hài sản xuất năm 1993 được Harold Ramis đạo diễn, kịch bản của Danny Rubin và Harold Ramis. Khi mới ra mắt, Groundhog Day không phải là một tác phẩm được đánh giá cao, mà chỉ được nhìn nhận là một bộ phim hài giải trí không tồi. Tuy nhiên, càng về sau, khi được nghiên cứu và nghiền ngẫm, bộ phim đã chứng minh giá trị của mình. Với một cốt truyện thông minh và những triết lý đắt giá, Groundhog Day xứng đáng vị trí 65 trong danh sách 100 tác phẩm điện ảnh xuất sắc nhất mọi thời đại do Hollywood bình chọn. Hội Biên kịch phim nước Mỹ (WGA) bình chọn ra 101 kịch bản hài hước nhất lịch sử, trong đó Groundhog Day đứng thứ 3, ngay sau hai tác phẩm hài kinh điển Annie Hall (1977) và Some Like It Hot (1959). Và cho đến nay bộ phim vẫn nằm trong Top 250 phim hay nhất của IMDb.
Thông tin sản xuất
February 11, 1993
Ngày phát hành
$14,600,000
Ngân sách
$71,108,778
Doanh thu
Truy cập website
Website chính thức
United States of America
Region (US)

Columbia Pictures
US
Đạo diễn
Harold Ramis
Female
Steve Boyum
Female
Michael Haley
Female
Diễn viên
Bill Murray
Phil
Andie MacDowell
Rita
Chris Elliott
Larry
Stephen Tobolowsky
Ned
Brian Doyle-Murray
Buster
Marita Geraghty
Nancy
Angela Paton
Mrs. Lancaster
Rick Ducommun
Gus
Rick Overton
Ralph
Robin Duke
Doris the Waitress
Willie Garson
Phil's Assistant Kenny
Ken Hudson Campbell
Man in Hallway
Tom Milanovich
State Trooper
John M. Watson Sr.
Bartender
Peggy Roeder
Piano Teacher
Harold Ramis
Neurologist
David Pasquesi
Psychiatrist
Lee Sellars
Cop
C.O. Erickson
Bank Guard Herman
Hynden Walch
Debbie
Michael Shannon
Fred
Angela Gollan
Piano Student
Dianne B. Shaw
E.R. Nurse
Barbara Ann Grimes
Flat Tire Lady
Lucina Paquet
Flat Tire Lady
Eric Saiet
Buster's Son
Reni Santoni
State Trooper (voice) (uncredited)
Trailer
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One Night Only
6.3 | Tình Cảm • Hài Hước
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Duplicity
6.1 | Tình Cảm • Hài Hước

Chú Gấu Ted 2
Ted 2
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Chú Gấu Ted
Ted
6.9 | Hài Hước • Viễn Tưởng
Tại Sao Tôi Lại Kết Hôn Nữa?
Why Did I Get Married Again?
8.3 | Tình Cảm • Hài Hước
Khoa Học Kỳ Quái
Weird Science
6.6 | Hài Hước • Viễn Tưởng
Ma Thuật Thực Hành
Practical Magic
6.4 | Tình Cảm • Viễn Tưởng
Nét Vẽ Giáng Sinh
A Brush With Christmas
5.5 | Tình Cảm • Hài Hước
Screens & Gallery















Funny story done to fit on Bill Murray's shoes. It is good enough and with a moral for the family but I don't get it what this is such a famous movie.
I can watch this movie again and again and again. Just trying to imagine what I would do in such a situation. And who doesn't like groundhogs?
**The Future is Not a Given** _Groundhog Day_ sets out to accomplish the inconceivable, where few comedies, or movies of any kind, or art forms of any device dare to tread. It is determined to ultimately answer: How does one find true happiness. The kind of baby that might have been hatched by crossing Woody Allen and Dali Lama. What's truly amazing is that it pretty well achieves this without being pretentious or portentous. Its humble, pedestrian style coincides with it's charitable message. Furthermore, it's a riot! What do you do when the snowstorm of life traps you into a place you don't want to be? Self-destructive anarchy is an option: drinking, stealing, screwing, lying, joyriding and suicide. But this is a big storm so long-term solutions are required. The good news if you're lonely and unhappy? You probably have more time to dedicate to self- improvement (music lessons, ice sculpturing). But challenging the self must have worthwhile outcomes. Phil, believing he's magical, challenges himself to get Rita to sleep with him within 24 hours. He's being dishonest, still playing games and ends up getting slapped in the face repeatedly. It appears that Phil's obstinate pattern of narcissistic behaviour is the cause of this inert existential loop, and one that traps everyone he is in contact with. When he finally realizes that while money, sex and immediate self-gratification might have their perks, they are short-lived and vastly overrated, and a major personality overhaul will be required to escape this Kafkaesque nightmare. An endless, insanely frigid winter is bound to contain him (them (us)) unless new strategies are introduced, alternative energies adopted, the shift away from a self-serving paradigm sustained. To his credit, Phil refuses to be cornered into the status quo and become one in a million zombies chanting “it is what it is”. Phil actually starts to recover when he gives up trying. When he dismisses the quick fixes (sex, booze, anger, lying and fighting), when he relinquishes his ego and lets go of his smarmy King Joffrey-Justin Bieber juvenility, when he learns to be himself, like himself, settle into his own skin so he can thrive in and, in turn, improve his surroundings. In a reversal of _It's a Wonderful Life_, rather than Bedford Falls being worse off from George's absence, Punxsutawney is better off with Phil's presence. Routine days require routine acts of kindness and Phil and the entire town collectively benefit from it. Phil is a born-again humanist, one who rescues himself from himself, escaping a solipsistic rotation of mutually-destructive behaviour simply by being a good Samaritan. The forecast: many rewarding days of sunshine. I always had a bit of a problem with the ending. That the cycle of unhappiness only ends when the guy gets the girl. But now I see that getting the girl was coincidental (and symbolic). Before he gets the girl he has to get himself. That's how you put a reverse spin on a downward spiral. The girl is now able to love the boy because he is love-worthy. The boy could be anyone. A politician. A corporation. You.
Fantastic watch, will watch again, and do recommend. Bill Murray carries this time-shift-loop adventure in hilarious form. The writing is excellent with a "redeemable protagonist" trope mixed in. The movie is creative with it's divergent time lines and even manages to maintain proper story arcs as Phil continues to loop. The supporting cast is wonderful in each of their roles, and manage to do repeat acting excellently. This was a popularizing (if not a birth) to a genre, everyone should have watched this movie at some point.
_**Going ’round and ’round the mountain with Bill Murray and Andie MacDowell**_ A curmudgeonly weather reporter from Pittsburgh (Bill Murray) has to report on the Groundhog Day festivities at Punxsutawney, Pennsylvania, for the fifth year in a row. He soon finds himself in some kind of strange time warp. Andie MacDowell plays a new producer for the network who joins him on the trek, along with Chris Elliott as the cameraman. “Groundhog Day” (1993) is a dramedy/fantasy with some romance about a person who has lost the joy of living and become a cranky, arrogant jerk. Is he too far gone to change? The movie’s equal parts amusing and profound. The theme revolves around getting stuck in a rut in life and desperately trying to find the way OUT. Meanwhile the woodchuck is cute. Beyond MacDowell on the female front, Marita Geraghty plays a potential date for Murray’s character; you might remember her from the Seinfeld episode “The Big Salad” as Margaret. But it’s the stunning Sandy Maschmeyer as his ‘French Maid’ date at the theater that steals the show in a brief scene. The film runs 1 hour, 41 minutes, and was shot in Woodstock, Illinois, which is just northwest of Chicago, and points nearby: Algonquin (opening scene), Rockford (quarry), Waukegan and Cary (interiors). Some stuff was done in the backlot of Universal Studios, along with establishing shots of Pittsburgh. GRADE: B-