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Phim lẻ

Kẻ Chủ Mưu

The Mastermind

6.3 | 110 phút • 2025 • Chính Kịch • Hình Sự

Nội dung

J.B. Mooney, một người đàn ông thất nghiệp, lên kế hoạch thực hiện vụ trộm nghệ thuật đầu tiên tại một bảo tàng ở Massachusetts năm 1970, tin rằng mọi thứ đều hoàn hảo, ít nhất là hắn nghĩ vậy.

#vietnam war#1970s#massachusetts#father#heist#on the run#new england#woman director#art heist

Thông tin sản xuất

October 16, 2025

Ngày phát hành

$2,000,000

Ngân sách

$2,143,645

Doanh thu

Truy cập website

Website chính thức

🇬🇧

United Kingdom

Region (GB)

🇺🇸

United States of America

Region (US)

filmscience

filmscience

US

MUBI

MUBI

GB

Đạo diễn

cast.name

Kelly Reichardt

Male

cast.name

Max Drexler

Male

Diễn viên

cast.name

Josh O'Connor

James Blaine Mooney

cast.name

Alana Haim

Terri Mooney

cast.name

Hope Davis

Sarah Mooney

cast.name

John Magaro

Fred

cast.name

Gaby Hoffmann

Maude

cast.name

Eli Gelb

Guy Hickey

cast.name

Cole Doman

Larry Duffy

cast.name

Matthew Maher

Jerry the Driver

cast.name

Rhenzy Feliz

Gordon

cast.name

Bill Camp

Judge William Mooney

cast.name

Carrie Lazar

Ms. Pitman

cast.name

Reighan Bean

Julie

cast.name

Katie Hubbard

Robin

cast.name

Margot Anderson-Song

Helen

cast.name

Deb G. Girdler

Museum Patron

cast.name

Juan Carlos Hernández

Agent Carroll

cast.name

Ryan Homchick

Coach Sam

cast.name

Rick Dutrow

Thug

cast.name

Kevin Michael Walsh

Cleveland Neighbor

cast.name

Amanda Plummer

Louise

cast.name

D.J. Stroud

Edward Farber

cast.name

Jenny McManus

Cafe Patron (uncredited)

cast.name

Greg Violand

Man at Bank (uncredited)

cast.name

John E. Brownlee

Man Catching the Bus (uncredited)

cast.name

Angel Kerns

Pedestrian (uncredited)


Trailer


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International Critic Reviews

2
1/10

The absolute best thing you can say about this movie is that you will always know exactly what time it is while watching it. I have never looked at my watch more. In a movie named "The Mastermind" you'd be excused for expecting anything that required forethought. You would be disappointed. At best, the storyline of this movie was half completed before they gave up on it and just decided it was a good place to put some end credits. The music absolutely never matches the mood of the movie, and at one point you decide that the next time you see a person playing a drum set, you will in fact make them wear the snare drum. I've never been angry at background music before. This movie is beyond boring. Never see it. If someone suggests you watch it, stop being their friend.

6/10

I wonder if the Frenchmen who just raided the Louvre in Paris maybe had a sneak preview screening of this, first? It’s all about the struggling “JB” (Josh O’Connor) who has come up with a cunning wheeze to raise some much needed cash seeing as his architect skills aren’t exactly in demand. There’s a modern art gallery in their town where the security guard is usually napping, and where the paintings are relatively poorly protected hanging on the walls. He decides to purloin four of them and then sell them on… Of course, the best laid plans and all that and though the robbery itself doesn’t prove so difficult, his choice of fellow felons soon means that his identity is no surprise to cops and (other) robbers alike. He’s going to have to split else he, and quite possibly his wife and two boisterous children, are in trouble. This has got to be the most glacially paced heist movie I have ever seen, and though O’Connor delivers well enough, there simply isn’t enough plot nor is there anything much to do for anyone else as the film turns into a sort of busman’s travelogue before an ending that didn’t really sit so well with me at all. It does have a very authentic look to it and the two young siblings deliver quite enthusiastically but Alana Haim simply hasn’t got very much to do as his wife “Terri” and I felt it just fizzled out far too early in it’s all but two hours duration. I watched this on my own in the cinema which is maybe a little unfair to it, but as I left I wasn’t really that surprised. One for the telly, I’d say.