**Wakanda Forever was an earnest film that tackled some tough themes and honored its hero well but got bogged down introducing vast new worlds and complicated characters.** Wakanda Forever left me with mixed emotions. The respect and love paid to the legacy of Chadwick Boseman were heartfelt, meaningful, and sincere. The movie wisely grappled with the aftermath of T’Challa’s passing on his family and nation. This subject matter created excellent opportunities to dive deeper into characters like Shuri, Nakia, and even M’Baku. Instead, Wakanda Forever primarily served as a vehicle to introduce Namor and Talokan. The film rightfully embraced a more somber tone as it dealt with themes of loss and legacy, but the mournful spirit caused the plot to sag and drag along throughout most of the runtime. Winston Duke offers the little levity the movie had. The cast delivered exceptionally, with Angela Bassett’s performance as the true standout. I liked the movie, but the melancholy approach made it more difficult to really enjoy, and the introduction of Namor and his threat to Wakanda chewed up so much of the story that it was difficult to bring closure to characters struggling with loss and heartbreak satisfyingly.

Rewatched for the Once Upon a Franchise podcast. Listen to the full episode here: https://open.spotify.com/episode/6Zpsndj9YQPwZkiBbi62Yc?si=axutWO6dQBaN6L\_CCVbIBQ Rating: B+ BLACK PANTHER: WAKANDA FOREVER remains one of the most emotionally sincere films the MCU has ever produced: a beautiful, quietly powerful tribute to Chadwick Boseman that doesn’t merely honor his memory, but builds its entire narrative around the hole T’Challa’s death leaves behind. Ryan Coogler handles grief with remarkable care, respect, and love, anchored by Angela Bassett’s devastating performance and a Letitia Wright more than capable of carrying the film, while Talokan’s stunning, culturally rich world-building and Ludwig Göransson’s score elevate the experience even further. It’s longer than it needed to be, Riri and the American characters feel out of place, Namor’s backstory leans too much on exposition, and the action loses impact as the runtime goes by. Still, its choice to stand apart from the franchise's setup obligations and focus on healing makes it a moving portrait of how grief can truly be love persevering.

Mourning the unexplained death of King "T'Challa", the tech-rich African nation of "Wakanda" returns Queen "Ramonda" (Angela Bassett) to the throne and she must stabilise the kingdom and try to help her daughter "Shuri" (Letitia Wright) deal with the loss of her much-loved brother. A fireside chat late one night doesn't quite go to plan though, when they are introduced to an interloper. "Namor" (Tenoch Huerta) arrives to ask their help to thwart the Americans who nave managed to design a machine that can trace vibranium, and this has put his hitherto unknown population of underwater, Mesoamerican, people at risk. Either they help him to track down the scientist who created this or there could be war. The Princess and her general head to Massachusetts where they track down a college student who is almost as much of a whizz-kid as "Shuri". The FBI are on soon their trail and skedaddle they must, straight into the arms of the waiting "Talokan" who take them to their beautiful watery homeland where we learn just how they evolved. Somewhat narked, the Queen wants her daughter back and that action sows the seeds for a conflict between the two nations that, well, you can guess the rest. Sadly, that's the problem here. Despite a really strong and vibrant performance from Wright and some very fine production values, there is precious little story here. It is far, far, too long to sustain the thin plot and the conflict engineered between the two races is flawed in more ways than an US Congressional election. The pace is really slow, the combat scenes could have been choreographed by Sir Matthew Bourne - or by a Wakandan cheerleader at their equivalent of the "Superbowl" - and the supporting characters aren't on screen long enough to give Miss Wright enough help to wade through the frequent tedium. I wasn't helped by Huerta's very thick accent which made his dialogue nigh-on impossible to comprehend at times and the denouement screamed sequel so loudly that I forgot that I'd long given up on any jeopardy at the end two hours ago. There is a bit of character tragedy, character loyalty and thankfully Martin Freeman's ("Ross" - why does he need an American accent?) appears but sparingly as we go along but Marvel must stop taking the audience for granted. They have to realise that their gorgeous Avatar-esque visual effects and technical wizardry are not going to entertain us indefinitely if the stories continue to deliver so weakly. Great to look at, a few power-ballads from the soundtrack and Wright is certainly a stylish and classy star - otherwise, this is a film nobody will remember in two years time, I'll bet!

_Black Panther: Wakanda Forever_ had an impossible task in the wake of the tragic passing of lead Chadwick Boseman, and for the most part Ryan Coggler does a great job at picking up the pieces and creating a heartfelt story. I feel as though this movie is attempting to do too much though. There are so many side plots and new characters being introduced that the film has a hard time finding its footing. For as much as I enjoyed Riri Williams and here banter with Wakadans, her arch was not necessary. By omitting this character, the story could have been more focused and streamlined creating an easier viewing experience and deflating the runtime. The writing was decent, but it was pretty exposition heavy. There were countless number of lines that were strictly feeding information to the audience, and they felt inorganic and awkward in the moment. These writing mishaps really hurt my enjoyment and constantly pulled me out of the film. After those main criticisms, I think this movie overall does a great job in all other departments. The action is surprisingly light, but when it does come it is intense and well-choreographed. There are some really unique fight sequences and weapons introduced with the "Atlanteans" that allowed for some really cool scenes and visuals that were done with some stellar CGI. I specifically like how the final battle had some letterboxing that was not present in the rest of the film. It gave it a grand scale that I thought was excellent touch. The performances were fantastic all around. Angela Bassett was mesmerizing and really captivated me with her emotion and distress with the passing of her son. There is a scene in here that gave me literal goosebumps. Dominique Thorne was a great addition as Iron-Heart and Lupita Nyong'o was amazing in her limited screen time. I loved Winston Duke and desperately wanted more screentime from him. He was sidelined for the majority of the film, and I think that was the wrong decision. Letitia Wright is the real highlight here. She stepped into a very difficult situation and acted her ass off. I never envisioned her as a lead actress, but she proved me wrong. Something I want to note that I do not normally include in my reviews in the music choice. The score to this movie was crafted brilliantly and really elevate so many scenes. I enjoyed every song and feel as though it blended with the movie brilliantly. Overall, this movie has its drawbacks but is still an enjoyable watch and one of the better movies in Marvel Phase IV. **Score:** _75%_ | **Verdict:** _Good_

This was such a fun movie to watch. It was long but didn't feel longer than a regular movie. There was a lot of action, but also excellent character exposition. I don't want to give anything away, but I loved the novel perspective on leadership this one evolved to. Also the contrast between how different Black Panthers inhabit that role and the implications of that. I loved the new world discovered, with its own mythology, and the way those two worlds can come together, for good or ill. I can't wait to see where the story goes next. Beautiful scenes and a fun story with great characters. And the tribute to Chadwick Boseman, his character, and the actor, were deeply moving and tastefully done. Great soundtrack too. strong text