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Nội dung
Khi loạt sự kiện bí ẩn thay đổi lộ trình của một con tàu chở người nhập cư đến New York vào năm 1899, những hành khách hoang mang trên đó đối mặt với một câu đố xoắn não.
Thông tin sản xuất
Đạo diễn
Baran bo Odar
Female
Diễn viên
Emily Beecham
Maura Franklin
Andreas Pietschmann
Eyk Larsen
Aneurin Barnard
Daniel Solace
Isabella Wei
Ling Yi
Maciej Musiał
Olek
Yann Gael
Jérôme
Miguel Bernardeau
Ángel
Clara Rosager
Tove
Rosalie Craig
Virginia
Lucas Lynggaard Tønnesen
Krester
Mathilde Ollivier
Clémence
José Pimentão
Ramiro
Tino Mewes
Sebastian
Gabby Wong
Yuk Je
Jonas Bloquet
Lucien
Maria Erwolter
Iben
Fflyn Edwards
Elliot
Alexandre Willaume
Anker
Anton Lesser
Mr. Franklin
Isaak Dentler
Franz
Tập phim Hoàn Tất (8/8)

1. Das Schiff
Maura hilft einer schwangeren Frau. Als der Kapitän Morsezeichen von einem vermissten Schiff empfängt, trifft er eine mutige Entscheidung – und macht eine unglaubliche Entdeckung.

2. Der Junge
Der Kapitän hat Flashbacks, die er sich nicht erklären kann. Ein Mann folgt Maura zu ihrer Kabine, wo sich ein Junge versteckt, und ein Käfer führt zu einer Tragödie an Deck.

3. Der Nebel
Ein Mädchen und weitere Passagiere ereilt ein schreckliches Schicksal. Olek entdeckt Ling Yi in einer Kiste, und das Vertrauen des Kapitäns in Maura wird auf die Probe gestellt.

4. Der Kampf
Mehrere Crewmitglieder und Passagiere schließen den Kapitän, Olek, Jérôme und Ramiro ein und durchsuchen das Schiff nach dem Jungen. Kresters Geheimnis kommt ans Licht.

5. Der Ruf
Maura wird von Flashbacks geplagt und macht einen gewagten Schritt. Ein Geräusch bringt einige Passagiere dazu, über Bord zu springen. Maura macht eine Entdeckung über ihren Vater.

6. Die Pyramide
Von schrecklichen Erinnerungen eingeholt, will Tove den Jungen töten. Daniel folgt Maura und dem Kapitän an einen rätselhaften Ort. Mauras Vater erscheint mit einer Nachricht.

7. Der Sturm
Daniel bittet Maura um etwas, das sie nicht versteht. Olek und Ling Yi übernehmen das Steuer, kurz bevor ein Unglück geschieht. Elliots Identität kommt ans Licht.

8. Der Schlüssel
Maura verkündet den Passagieren Unglaubliches, woraufhin sich ihre Erinnerungen vermischen. Daniel ändert einen Code und Maura findet sich plötzlich in einer neuen Realität wieder.
Trailer
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Screens & Gallery










International Critic Reviews
A slow boat to nowhere, that's the kindest thing I can think of to say about 1899. A mystery thriller minus the thrills, that's becalmed from the get go and doesn't improve over the poorly navigated, first two episodes. Its a shame too, as a ton of Euro's were spent on this production. Its therefore unsurprising, that in terms of settings, costumes and atmosphere, this show is spectacular. Unfortunately, its an exquisite banquette setting, where little to nothing is served to the hungry viewer. Instead, what you are offered, is supposedly meaningful silences, at times clever but disjointed narrative and yet again, regrettably, more woke revisionism. In summary, well acted, beautifully presented but in terms of storytelling, as deep, dark and desolate, as an ocean trench.
Good story, good acting, good directing but unfortunately as with all shows lately because of woke propaganda I can not and will not give it better score. Possibly one of the best shows in last years ruined by propaganda. Why does every story, every tv show or movie today have to have this woke propaganda?
**Pointless** It's supposed to be a slow-burn, atmospheric mystery thriller. It is slow, alright; and there is some mystery, albeit not intriguing. Set design, camera, lighting, and fx get the atmospheric bit done; sound and music are well selected, too. Costume is OK, acting good. We're on water, and the (alchemist) earth symbol is everywhere. Well, that's a mystery indeed. Where it starts to go wrong is the artificial slowness; characters which against all likelihood do not state at least the obvious, do not talk to each other where it would make sense. So we miss out on character drawing, character development, and sanity amidst the fog. For fog abounds here, metaphorically and visually. But that does not help the story. Characters are outside the usual roster, but they are neither well written nor developing. Some complain about "woke propaganda"; well, there is some preachy elements and annoying bits, but not as bad as in certain other "originals". The multi-language thing however works very well, from my point of view. The core issue is and remains the script: this is badly written. The direction stretches the little content it finds over way too many hours. And all the mysteries turn out to be... bollocks. Distractions. The 4/10 I give to acknowledge production crew and actors; other than that, it would be an 2/10. Don't waste your time on this, like I did. Edit, PS: I checked and the core plot indeed matches a 1973 Doctor Who episode ("Carnival of Monsters"), but is stretched over eight episodes.